Break

You can't take an elephant on the bus ... It would simply cause a terrible fuss! Elephants' bottoms are heavy and fat and would certainly squash the seats quite flat. Never put a camel in a sailing boat, or a tiger on a train, and don't even THINK about asking a whale to ride a bike ... This riotous picture book is filled with animals causing total disaster as they try to travel in the most unsuitable vehicles. A real romp of a book, with hilarious rhyming text and spectacular illustrations.

In a large Swedish forest, Beartown hides a dark secret . . . Cut-off from everywhere else, it experiences the kind of isolation that tears people apart. And each year, more and more of the town is swallowed by the forest. Then the town is offered a bright new future. But it is all put in jeopardy by a single, brutal act. It divides the town into those who think it should be hushed up and forgotten, and those who'll risk the future to see justice done. Who will speak up? Could you stand by and stay silent? Or would you risk everything for justice? Which side would you be on?

In the years just before and after the fall of the Berlin Wall, people from across the political spectrum in Europe and America celebrated a great achievement, felt a common purpose and, very often, forged personal friendships. Yet over the following decades the euphoria evaporated, the common purpose and centre ground gradually disappeared, extremism rose once more and eventually - as this book compellingly relates - the relationships soured too. Anne Applebaum traces this history in an unfamiliar way, looking at the trajectories of individuals caught up in the public events of the last three decades. When politics becomes polarized, which side do you back? If you are a journalist, an intellectual, a civic leader, how do you deal with the re-emergence of authoritarian or nationalist ideas in your country? When your leaders appropriate history, or pedal conspiracies, or eviscerate the media and the judiciary, do you go along with it? Twilight of Democracy is an essay that combines the personal and the political in an original way and brings a fresh understanding to the dynamics of public life in Europe and America, both now and in the recent past.

The New Age of Empire takes us back to the beginning of the European Empires, outlining the deliberate terror and suffering wrought during every stage of the expansion, and destroys the self-congratulatory myth that the West was founded on the three great revolutions of science, industry and politics. Instead, genocide, slavery and colonialism are the key foundation stones upon which the West was built, and we are still living under this system today: America is now at the helm, perpetuating global inequality through business, government, and institutions like the UN, the IMF, the World Bank and the WTO. The West is rich because the Rest is poor. Capitalism is racism. The West congratulations itself on raising poverty by increments in the developing world while ignoring the fact that it created these conditions in the first place, and continues to perpetuate them. The Enlightenment, which underlies every part of our foundational philosophy today, was and is profoundly racist. This colonial logic was and is used to justify the ransacking of Black and brown bodies and their land. The fashionable solutions offered by the white Left in recent years fall far short of even beginning to tackle the West's place at the helm of a racist global order. Offering no easy answers, The New Age of Empire is essential reading to understand our profoundly corrupt global system. A work of essential clarity, The New Age of Empire is a groundbreaking new blueprint for taking Black Radical thought into the twenty-first century and beyond.

Mr. Artur Sammler, Holocaust survivor, intellectual, and occasional lecturer at Columbia University in 1960s New York City, is a "registrar of madness," a refined and civilized being caught among people crazy with the promises of the future (moon landings, endless possibilities). His Cyclopean gaze reflects on the degradations of city life while looking deep into the sufferings of the human soul. "Sorry for all and sore at heart," he observes how greater luxury and leisure have only led to more human suffering. To Mr. Sammler-who by the end of this ferociously unsentimental novel has found the compassionate consciousness necessary to bridge the gap between himself and his fellow beings-a good life is one in which a person does what is "required of him." To know and to meet the "terms of the contract" was as true a life as one could live.