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The definitive reference work with comprehensive analysis and review of peer production Peer production is no longer the sole domain of small groups of technical or academic elites. The internet has enabled millions of people to collectively produce, revise, and distribute everything from computer operating systems and applications to encyclopedia articles and film and television databases. Today, peer production has branched out to include wireless networks, online currencies, biohacking, and peer-to-peer urbanism, amongst others. The Handbook of Peer Production outlines central concepts, examines current and emerging areas of application, and analyzes the forms and principles of cooperation that continue to impact multiple areas of production and sociality. Featuring contributions from an international team of experts in the field, this landmark work maps the origins and manifestations of peer production, discusses the factors and conditions that are enabling, advancing, and co-opting peer production, and considers its current impact and potential consequences for the social order. Detailed chapters address the governance, political economy, and cultures of peer production, user motivations, social rules and norms, the role of peer production in social change and activism, and much more. Filling a gap in available literature as the only extensive overview of peer production’s modes of generating informational goods and services, this groundbreaking volume: Offers accessible, up-to-date information to both specialists and non-specialists across academia, industry, journalism, and public advocacy Includes interviews with leading practitioners discussing the future of peer production Discusses the history, traditions, key debates, and pioneers of peer production Explores technologies for peer production, openness and licensing, peer learning, open design and manufacturing, and free and open-source software The Handbook of Peer Production is an indispensable resource for students, instructors, researchers, and professionals working in fields including communication studies, science and technology studies, sociology, and management studies, as well as those interested in the network information economy, the public domain, and new forms of organization and networking.

Since the first edition was published in 2009, Patrik Wikstr?m's The Music Industry has become a go-to text for students and scholars. This thoroughly updated third edition provides an international overview of the music industry and its future prospects in the world of global entertainment.

The music industry has experienced two turbulent decades of immense change brought about in part by the digital revolution. How has the industry been transformed by these economic and technological upheavals, and how is it likely to change in the future? What is the role of music in this digital age? Wikstr?m illuminates the workings of the industry, deftly capturing the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. New to this third edition are expanded sections on the changing structure of the music industry, the impact of digitization on music listening practices, and the evolution of music streaming platforms.

Engaging and comprehensive, The Music Industry is a must-read for students and scholars of media and communication studies, cultural studies, popular music, sociology and economics.

This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.The newly-created democratic state of Weimar Germany was, famously, a crucible for progressive art of all kinds, and classical music was no different. From Brecht and Weill’s Threepenny Opera to Schoenberg’s development of the influential twelve-tone technique, Ross charts this flowering of avant-garde creativity.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

Most new PCs and Macs today are equipped with the latest in recording and storage equipment: CD-RW and DVD-R/RW drives. Even if your computer is a little older, you can still join the revolution with add-on hardware and software. You can record music and movies, store photos and data, and organize things you want to preserve for posterity, safely and easily. CD and DVD Recording For Dummies®, Second Edition, takes the frustration out of choosing and using these cool recording systems. This easy-to-follow guide will help you find what you need and use it efficiently, and it covers all the newest equipment. You’ll discover how to Choose and install a CD or DVD recorder Pick the best software for your needs Store large data files safely on CD Use EasyCD and DVD Creator and Toast Record mixed media disks Create electronic photo albums, baby books, genealogies, and more Once upon a time, videotape, vinyl record albums, and floppy disks were state of the art for preserving movies, music, and data. The superior durability and capacity of CDs and DVDs have made these tools as obsolete as the washboard, but never fear. CD and DVD Recording For Dummies®, Second Edition, makes it easy to Transfer your favorite VHS movies to DVD Preserve those classic LPs on CD Archive records and data files, and safely store treasured family photos Ask the right questions when shopping for CD or DVD recording hardware and software Record original material, copy and erase rewriteable disks, and make backups of important data Add menus to your disks, label them, and care for them properly Record a bootable CD-ROM Today’s CD and DVD recorders can produce everything from superb sound quality to original movies you can play on your DVD player. CD and DVD Recording For Dummies® will get your recording career going in a jiffy.

This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Jean Sibelius hailed from the ‘small nation’ of Finland. Working in isolation, far from the great artistic capitals of Europe, Ross shows how Sibelius’s reinvention of classical forms went on to set the pace for classical composers around the world.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.