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A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.

The definitive artist’s reference guide and comprehensive sourcebook of art materials and painting techniques, now available in a modern ebook edition.The Complete Artist’s Manual covers all the elements of painting and drawing from materials to techniques, colour composition and media – the ultimate artist’s bible.In addition, it contains a structured painting course with simple exercises developing into more advanced projects, with demonstrations by well-known practising artists who share their experience and expertise with the reader.Contents includes;SupportsDrawing and painting mediaDrawing and sketchingPainting techniquesColour and compositionWhat to paint – getting startedThe artist’s studioGlossary and directoryThe Complete Artist’s Manual is visually rich and exciting, practical and comprehensive – no artist’s studio should be without it.

'The Painter with Women – the evolution of a Project' is the first publication about the artist Robert Lenkiewicz (1941-2002) which draws upon his private journals and notebooks to give an insight into the painter's motivations and working practices in what is probably the artist's most misunderstood investigation of human relationships.What emerges is a picture of the artist at variance with the ironic, urbane persona which Lenkiewicz presented to the world – here at last is a glimpse into the passion, and sometimes rage, which drives the creative process.Though 'The Painter with Women' would become his most popular Project in many quarters, its complex themes tended to be passed over as fans seized upon the decorative aspects of Lenkiewicz's virtuoso painting of fabric and skin tones and critics dismissed the whole enterprise as a catalogue of a promiscuous lifestyle.This book takes an honest look at the imagery of the Project and the motivations behind it and aims to draw out the visual ironies which Lenkiewicz was striving for, which in many cases were a deliberate ravishment of the eye designed to provoke reflection on the viewer's part upon their own responses to 'seduction' – both personal and artistic. The book also brings back into view the uncanny sub-text of the Project's subtitle, 'Observations on the Theme of the Double', where mirror reflections of model and artist alike dissolve fixed identity and presence.Above all, it is the artist's own words, from diaries and notebooks, which show a side of Lenkiewicz which has seldom been glimpsed – a man on creative fire at the height of his artistic power, driving himself beyond reason to construct the vast edifice of a Project which his serious heart condition seemed to indicate would be his last.

An attractive, highly illustrated little sourcebook of ideas and practical exercises, Collins Artist's Little Book of Inspiration is for artists looking for new creativity.Through a combination of practical instruction, illustrated projects and step-by-step demonstrations in watercolour, oil and acrylic, popular artist Hazel Soan explains how to develop your observational skills and unleash your creativity.The book shows you how to find inspiration all around you – 'seeing' like an artist, recognizing potential subjects and considering new approaches. Hazel Soan encourages you to experiment with papers and other surfaces, refresh your palette and understand what different materials can achieve.From concept to composition let this little book be your guide to what to include in your work, how to be creative with colour and utilize tone and texture. Learn to see the world around you and the art materials you use in a new light, with ideas to inspire you around the house, out and about and on your wider travels. This attractive book also contains inspiring gallery pages which reveal how other artists have found new approaches to their chosen subjects.

A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book