Murder. The Biography

Combining Neil Gaiman's extraordinary words with Chris Riddell's deft and striking illustrations, Art Matters will inspire its readers to seize the day in the name of art. Neil Gaiman once said that "the world always seems brighter when you've just made something that wasn't there before". This little book is the embodiment of that vision. A creative call to arms, this timely illustrated collection of ideas, thoughts, feelings and artistic manifestos will be inspirational to young and old, and will encourage glorious, creative rebellion.

The New York Times Bestseller 'Superb, enthralling and necessarily terrifying . . . every step feels spring-loaded with tension... extraordinary.' The New York Times The story of Chernobyl is more complex, more human, and more terrifying than the Soviet myth. Adam Higginbotham has written a harrowing and compelling narrative which brings the 1986 disaster to life through the eyes of the men and women who witnessed it first-hand. Drawing on hundreds of hours of interviews conducted over the course of more than ten years, as well as letters, unpublished memoirs, and documents from recently-declassified archives, this book makes for a masterful non-fiction thriller. Chernobyl has become lodged in the collective nightmares of the world: shorthand for the spectral horrors of radiation poisoning, for a dangerous technology slipping its leash, for ecological fragility, and for what can happen when a dishonest and careless state endangers not only its own citizens, but all of humanity. It is a story that has long remained in dispute, clouded from the beginning in secrecy, propaganda, and misinformation. Midnight In Chernobyl is an indelible portrait of history's worst nuclear disaster, of human resilience and ingenuity and the lessons learned when mankind seeks to bend the natural world to his will - lessons which, in the face of climate change and other threats - remain not just vital but necessary. Now, Higginbotham brings us closer to the truth behind this colossal tragedy. 'Tells the story of the disaster and its gruesome aftermath with thriller-like flair . . . wonderful and chilling ... written with skill and passion.' The Observer 'An invaluable contribution to history.' Serhii Plokhy, Evening Standard LONGLISTED FOR THE ROYAL SOCIETY OF LITERATURE ONDAATJE PRIZE 2020

Now a Major Motion Picture The Laundromat from Director Steven Soderbergh, starring Meryl Streep, Gary Oldman, and Antonio Banderas. The two-time Pulitzer Prize-winning journalist Jake Bernstein takes us inside the world revealed by the Panama Papers, illicit money, political corruption, and fraud on a global scale. A hidden circulatory system flows beneath the surface of global finance, carrying trillions of dollars from drug trafficking, tax evasion, bribery, and other illegal enterprises. This network masks the identities of the individuals who benefit, aided by bankers, lawyers, and auditors who get paid to look the other way. In The Laundromat, Pulitzer Prize-winning investigative reporter Jake Bernstein explores this shadow economy and how it evolved, drawing on millions of leaked documents from the files of the Panamanian law firm Mossack Fonseca - a trove now known as the Panama Papers - as well as other journalistic and government investigations. Bernstein shows how shell companies operate, how they allow the superwealthy and celebrities to escape taxes, and how they provide cover for illicit activities on a massive scale by crime bosses and corrupt politicians across the globe. The Laundromat offers a disturbing and sobering view of how the world really works and raises critical questions about financial and legal institutions we may once have trusted.

By day, Julia Ebner works at a counter-extremism think tank, monitoring radical groups from the outside. But two years ago, she began to feel she was only seeing half the picture; she needed to get inside the groups to truly understand them. She decided to go undercover in her spare hours - late nights, holidays, weekends - adopting five different identities, and joining a dozen extremist groups from across the ideological spectrum. Her journey would take her from a Generation Identity global strategy meeting in a pub in Mayfair, to a Music Festival on the border of Germany and Poland. She would get relationship advice from 'Trad Wives' and Jihadi Brides and hacking lessons from ISIS. She was in the channels when the alt-right began planning the lethal Charlottesville rally, and spent time in the networks that would radicalise the Christchurch terrorist. In Going Dark, Ebner takes the reader on a deeply compulsive journey into the darkest recesses of extremist thinking, exposing how closely we are surrounded by their fanatical ideology every day, the changing nature and practice of these groups, and what is being done to counter them.

Jeremy Clarkson has seen rather more of the world than most. He has, as they say, been around a bit. And as a result, he's got one or two things to tell us about how it all works; and being Jeremy Clarkson he's not about to voice them quietly, humbly and without great dollops of humour. In The World According to Clarkson, he reveals why it is that: Too much science is bad for our health '70s rock music is nothing to be ashamed of Hunting foxes while drunk and wearing night-sights is neither big nor clever We must work harder to get rid of cricket He likes the Germans (well, sometimes) With a strong dose of common sense that is rarely, if ever, found inside the M25, Clarkson hilariously attacks the pompous, the ridiculous, the absurd and the downright idiotic, whilst also celebrating the eccentric, the clever and the sheer bloody brilliant. Less a manifesto for living and more a road map to modern life, The World According to Clarkson is the funniest book you'll read this year. Don't leave home without it.