Raymond Pettibon

Эффектный ковер полностью преобразит комнату. Прямоугольная модель объединит все предметы обстановки, придаст целостность дизайнерской концепции, позволит выделить отдельные зоны. Помимо впечатляющих внешних характеристик, такой ковер очень функционален. Он предотвращает истирание напольного покрытия, заглушает шум шагов, выступает прекрасным теплоизоляционным материалом. Изделие выполнено из синтетических нитей, поэтому не вызывает аллергических реакций, не выцветает и отличается простотой в уходе.

Вино насыщенного пурпурного цвета. Интенсивный аромат с нотами спелой черной вишни, черной малины, клубники, ванили и других сладких пряностей. Яркий вкус со сладковатыми джемовыми нюансами, плотной структурой и долгим впечатляющим ягодным послевкусием.

Обои RASCH Raymond 957310.

Обои RASCH Raymond 957327.

Обои RASCH Raymond 957341.

Обои RASCH Raymond 957303.

Обои RASCH Raymond 957334.

Обои RASCH Raymond 957358.

This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dalí’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dalí’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur. Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.