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In the Second Edition of her award-winning, chronologically organized text, Lifespan Development: Lives in Context, author and teacher Tara L. Kuther explores the dynamic interactions between individuals, our genetic makeup, and the diverse contexts that shape our growth and development at every stage of life. With a clear and approachable writing style, Kuther integrates current research findings with foundational, classic theory and research to present a comprehensive yet concise introduction to the field. Lively feature boxes and critical thinking questions encourage students to compare concepts, apply theoretical perspectives, and consider applications of research findings in their own lives and future careers.

This volume embraces the critical turn of new materialism in order to address how creative and social practices allow for the definition of alternative subject positions and to examine how power relations operate at an embodied, relatable level: it proposes to think global but act local. The contributions by scholars and artists offer new ways of engaging and understanding Ireland’s contemporary political, activist and artistic landscape. They open up onto epistemological ways of considering not only the inventions of creative and scholarly research and practice, but also invention and experimentation itself. The volume provides a space for conversation and brings out the potential of non-linear thinking by bringing together artists and scholars to consider the materiality of identity and place through the body, migrancy, ecology and digital technologies. The contributors draw new maps, making new connections, diffracting Irish social imaginaries. This multidisciplinary collection proposes strategies and methods to ethically respond to and engage with the complex situations and urgent challenges that preoccupy our contemporary present. There is something in this book for both the specialist and non-specialist alike and it is essential reading for anyone with an interest in new methodologies in Irish studies.

Uncovers the roots and consequences of and offers solutions to the widespread alienation and disconnection that beset modern society Since the beginning of the 21st century, people have become increasingly disconnected from themselves, each other, and the world around them. A “crisis of connection” stemming from growing alienation, social isolation, and fragmentation characterizes modern society. The signs of this crisis of connection are everywhere, from decreasing levels of empathy and trust, to burgeoning cases of suicide, depression and loneliness. The astronomical rise in inequality around the world has contributed to the critical nature of this moment. To delve into the heart of the crisis, leading researchers and practitioners draw from the science of human connection to tell a five-part story about its roots, consequences, and solutions. In doing so, they reveal how we, in modern society, have been captive to a false story about who we are as human. This false narrative that takes individualism as a universal truth, has contributed to many of the problems that we currently face. The new story now emerging from across the human sciences underscores our social and emotional capacities and needs. The science also reveals the ways in which the privileging of the self over relationships and of individual success over the common good as well as the perpetuation of dehumanizing stereotypes have led to a crisis of connection that is now widespread. Finally, the practitioners in the volume present concrete solutions that show ways we can create a more just and humane world. In a time of social distancing and enforced isolation, it is more important than ever to find ways to bridge the gaps among individuals and communities. The Crisis of Connection illuminates concrete pathways to enhancing our awareness of our common humanity, and offers important steps to coming together in unity, even across distances.

“Kooser . . . must be the most accessible and enjoyable major poet in America. His lines are so clear and simple.” —Michael Dirda, The Washington Post “Nothing escapes him; everything is illuminated.” — Library Journal “Will one day rank alongside of Edgar Lee Masters, Robert Frost, and William Carlos Williams.” — Minneapolis Tribune “Kooser’s ability to discover the smallest detail and render it remarkable is a rare gift.” — The Bloomsbury Review Four decades of poetry—and a generous selection of new work—make up this extraordinary collection by Pulitzer Prize winner Ted Kooser. Firmly rooted in the landscapes of the Midwest, Kooser’s poetry succeeds in finding the emotional resonances within the ordinary. Kooser’s language of quiet intensity trains itself on the intricacies of human relationships, as well as the animals and objects that make up our days. As Poetry magazine said of his work, “Kooser documents the dignities, habits, and small griefs of daily life, our hunger for connection, our struggle to find balance.” From “March 2”: Patchy clouds and windy.All morningour house has been flashing in and out of shadelike a signal, and far across the waves of grassa neighbor’s house has answered,offering help. Ted Kooser is the author of eleven collections of poetry, including Delights & Shadows , which won the Pulitzer Prize. He served as the Poet Laureate of the United States, and is a visiting professor at the University of Nebraska-Lincoln.

Philip Whalen was an American poet, Zen Buddhist, and key figure in the literary and artistic scene that unfolded in San Francisco in the 1950s and ’60s. When the Beat writers came West, Whalen became a revered, much-loved member of the group. Erudite, shy, and profoundly spiritual, his presence not only moved his immediate circle of Beat cohorts, but his powerful, startling, innovative work would come to impact American poetry to the present day.

Drawing on Whalen’s journals and personal correspondence—particularly with Ginsberg, Kerouac, Snyder, Kyger, Welch, and McClure —David Schneider shows how deeply bonded these intimates were, supporting one another in their art and their spiritual paths. Schneider, himself an ordained priest, provides an insider’s view of Whalen’s struggles and breakthroughs in his thirty years as a Zen monk. When Whalen died in 2002 as the retired Abbot of the Hartford Street Zen Center, his own teacher referred to him as a patriarch of the Western lineage of Buddhism. Crowded by Beauty chronicles the course of Whalen’s life, focusing on his unique, eccentric, humorous, and literary-religious practice.

Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux.

Alchemy is a rich and complex esoteric tradition that has flourished world-wide since the beginning of recorded history, if not earlier. There are three main traditions: Western Christian, Indo-tibetan and Chinese Taoist. Within this diversity there are many common features, which are analysed, organized, and brought together in this comprehensive dictionary of terms, symbols, and personalities. This dictionary is the distillation of many years' research into the extensive arcane literature. It is a reference work to guide the readers throught the labyrinth of pre-Newtonian science and philosophy. The dictionary covers not only the materialist dimension of the search for the elixir of life and the transmutation of metals, but also the inner search for the gold of mystical illumination. Jung called alchemy 'the projection of a drama both cosmic and spiritual in laboratorty terms'. This opus alchymicum goes beyond the bare analysis and interpretation of terms to present a harmonic, integrated vision of man and nature, which may help to heal the fragmented world view of modern science.

Behaviorism has been the dominant force in the creation of modern American psychology. However, the unquestioned and unquestioning nature of this dominance has obfuscated the complexity of behaviorism. Control serves as an antidote to this historical myopia, providing the most comprehensive history of behaviorism yet written. Mills successfully balances the investigation of individual theorists and their contributions with analysis of the structures of assumption which underlie all behaviorist psychology, and with behaviorism's role as both creator and creature of larger American intellectual patterns, practices, and values. Furthermore, Mills provides a cogent critique of behaviorists' narrow attitudes toward human motivation, exploring how their positivism cripples their ability to account for the unobservable, inner factors that control behavior. Control 's blend of history and criticism advances our understanding not only of behaviorism, but also the development of social science and positivism in twentieth-century America.

Sing, Sing, Sing is unlike any recent first collection by an American poet. It goes against the grain of contemporary fashion by replacing prosaic narrative with a lyricism both symbolic and mysterious. This poet can appreciate experience as «the open/End of a bag fill/With ordinary things,» yet also he has an ear for «a watch that goes on ticking/Underground,» the shadow of history that lies across the present. Murphy manifests a sense of responsibility for protecting the spirit of lost people and lost things. But in their concern for posterity, his poems use language to forge a memory of the future. This ethical impulse, «the voice of the conscious heart,» gives rise to a poetry which is, even when most admonitory, compassionate. Murphy explores our involvement in history as its doers, sufferers, and writers. Hence his poetry is at the intersection of the personal and that sense of our anonymity together in which «anyone can write my story,» The title, Sing, Sing, Sing , hints at the imperative music that characterizes these poems.

Life in the United States today is shot through with uncertainty: about our jobs, our mortgaged houses, our retirement accounts, our health, our marriages, and the future that awaits our children. For many, our lives, public and private, have come to feel like the discomfort and unease you experience the day or two before you get really sick. Our life is a scratchy throat. John Marsh offers an unlikely remedy for this widespread malaise: the poetry of Walt Whitman. Mired in personal and political depression, Marsh turned to Whitman—and it saved his life. In Walt We Trust: How a Queer Socialist Poet Can Save America from Itself is a book about how Walt Whitman can save America’s life, too. Marsh identifies four sources for our contemporary malaise (death, money, sex, democracy) and then looks to a particular Whitman poem for relief from it. He makes plain what, exactly, Whitman wrote and what he believed by showing how they emerged from Whitman’s life and times, and by recreating the places and incidents (crossing Brooklyn ferry, visiting wounded soldiers in hospitals) that inspired Whitman to write the poems. Whitman, Marsh argues, can show us how to die, how to accept and even celebrate our (relatively speaking) imminent death. Just as important, though, he can show us how to live: how to have better sex, what to do about money, and, best of all, how to survive our fetid democracy without coming away stinking ourselves. The result is a mix of biography, literary criticism, manifesto, and a kind of self-help you’re unlikely to encounter anywhere else.

Human Nature explores, both seductively and horrificly, the redemptive possibilities found in an American girlhood gone wrong. Every one of Anderson's poems tells a story—dangerous, sensuous, sometimes crazy, sometimes sacred tales that take us into the heartbreaking reality and strangeness of a little girl who grew up the woman of the house; at once drink-maker, showpiece, secret-keeper, and object of lust. The terrain of incest and violence sets itself out on the page so subtely and plainly that the poems become mere containers for these extremes, a kind of prayer. Where formal grace might seem impossible, Anderson sings. And this is why the book —with all its darkness and danger—is, in the end, an affirmative one. The poems rise out of childhood's sorrows into a womanhood filled with the past, hell-bent on the future, and ready for a fight. In haunting, elegant verse, Anderson enters into the truth of experience. Through it all, the poems come to embrace those universal illuminations that arise out of–or even because of–suffering.

<P>Annie Finch's Spells brings together her most memorable and striking poems written over forty years. Finch's uniquely mysterious voice moves through the book, revealing insights on the classic themes of love, spirituality, death, nature, and the patterns of time. A feminist and pagan, Finch writes poems as «spells» that bring readers to experience words not just in the mind, but in the body. Celebrated for her extraordinary love and knowledge of poetic craft, over the course of her career Finch has shaped her own innovative and radically traditional aesthetic. Her strange but familiar metrical language decenters the Self, creating a new, more open emotional relationship between ourselves, other people, and the world. Spells displays Finch's virtuosity in a broad range of genres and forms, from lyrics, chants, and narrative poems to performance pieces, poetic drama, and verse translation. The book also includes a number of new and previously unpublished poems, notably her 1980s-era «Lost Poems,» experimental work in meter that prefigures postmodern reclamations of poetic form. This wonderfully talented poet gives voice to the female and earth-centered spirituality of our era. Her emotionally eloquent and rhetorically powerful work will echo in the reader's ear long after the book is closed. Check for the online reader's companion at http://spells.site.wesleyan.edu.</P>

<P>Connecticut may be a small state, but it is large indeed in its contribution to the nation's literature. Garnet Poems features forty-two poets whose work has a strong connection to Connecticut. The first major anthology of Connecticut poetry to appear since the mid-nineteenth century, it includes the work of such notable poets as Wallace Stevens, Lydia Sigourney, Mark Van Doren, Richard Wilbur, <BR>Susan Howe, and Elizabeth Alexander. Distinguished writer-scholar Dennis Barone has supplemented the poems with an editor's preface, notes that illuminate the poet's (or poem's) relation to the state, and informative biographies. The book also features a foreword by Dick Allen, the current Connecticut state poet laureate.</P>

Marley was dead, to begin with…' And yet, he manages to visit his old partner, the miser Ebenezer Scrooge, and send him on a transformative journey, led by three ghosts. First to his own past, where he sees again the love he spurned, then to the present, where he sees those around him going about their holiday preparations, and then into his own future, to see his just reward. A Christmas favorite, it will warm your heart with favorite memories, and remind you how the true Christmas spirit comes from giving with love.

In the fifth book in the series, Anne's own true love, Gilbert Blythe, is finally a doctor, and, in the sunshine of the old orchard among their dearest friends, they are about to speak their vows. Soon, the happy couple will be bound for a new life together in their own dream house on the misty purple shores of Four Winds Harbor. But a new life means fresh problems to solve-and fresh surprises. As Anne and Gilbert begin to build that new life, some of those problems and surprises come in the form of their new neighbors: Captain Jim, the lighthouse attendant with sad stories about the sea, Miss Cornelia Bryant, the direct woman who still manages to speak from her heart, and Leslie Moore, the tragically beautiful girl who intrigues Anne…

When a man is found dead in a freshly dug grave adjacent to a golf course, Hercule Poirot and Captain Hastings arrive on the scene only to be met by a hostile local police detective who is unwilling to share information. But Poirot's methodical investigation slowly and surely reveals the real killer amid a host of suspects and clues, including an impassioned love letter and heavy lead piping found near the body. However, as Poirot and Hastings rush to solve the murder, a similarly slain corpse and fresh clues are discovered.

<P>Like an underground river, the astonishing poems of Joseph Ceravolo have nurtured American poetry for fifty years, a presence deeply felt but largely invisible. Collected Poems offers the first full portrait of Ceravolo's aesthetic trajectory, bringing to light the highly original voice that was operating at an increasing remove from the currents of the time. From a poetics associated with Frank O'Hara and John Ashbery to an ever more contemplative, deeply visionary poetics similar in sensibility to Zen and Dante, William Blake and St. John of the Cross, this collection shows how Ceravolo's poetry takes on a direct, quiet lyricism: intensely dedicated to the natural and spiritual life of the individual. As Ron Silliman notes, Ceravolo's later work reveals him to be «one of the most emotionally open, vulnerable and self-knowing poets of his generation.» Many new pieces, including the masterful long poem «The Hellgate,» are published here for the first time. This volume is a landmark edition for American poetry, and includes an introduction by David Lehman.</P>

<P>The poet Arkadii Dragomoshchenko made his debut in underground magazines in the late Soviet period, and developed an elliptic, figural style with affinities to Moscow metarealism, although he lived in what was then Leningrad. Endarkenment brings together revisions of selected translations by Lyn Hejinian and Elena Balashova from his previous American titles, long out of print, with translations of new work carried out by Genya Turovskaya, Bela Shayevich, Jacob Edmond, and Eugene Ostashevsky. This chronological arrangement of Dragomoshchenko's writing represents the heights of his imaginative poetry and fragmentary lyricism from perestroika to the time of his death. His language—although «perpetually incomplete» and shifting in meaning—remains fresh and transformative, exhibiting its roots in Russian Modernism and its openness to the poet's Language School contemporaries in the United States. The collection is a crucial English introduction to Dragomoshchenko's work. It is also bilingual, with Russian texts that are otherwise hard to obtain. It also includes a foreword by Lyn Hejinian, an essay on how the poetry reads in Russian, a biography, and a list of publications. Check for the online reader's companion at endarkenment.site.wesleyan.edu.</P>

<P>Apples from Shinar was Hyam Plutzik's second complete collection. Originally published in 1959 as a part of Wesleyan University Press's newly minted poetry series, the collection includes «The Shepherd»—a section of the book-length poem «Horatio,» which earned Plutzik a finalist position for the Pulitzer Prize. «The love and the words and the simplicity,» that mark Plutzik's poetry, writes Philip Booth, «are all here [in Apples from Shinar], and the poems come peacefully, and wonderfully, alive.» With a previously unpublished foreword by Hyam Plutzik and a new afterword by David Scott Kastan, this edition marks the centenary of Plutzik's birth and will introduce a new generation of readers to the work of one of the best mid-century American poets.</P>

<P>What do «self» and «it» have in common? In Rae Armantrout's new poems, there is no inert substance. Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem «Price Points» where a man conducts an imaginary orchestra but «gets no points for originality.» In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens—even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http://raearmantrout.site.wesleyan.edu.</P>

What is the role of art in the world? And what is the responsibility of the artist? After the death of his wife, Michael Benchere, a well-respected sculptor and once-famous architect, looks for ways to redefine the meaning of his life through the purpose of his art. Determined to create a sculpture that celebrates nothing more than the pure beauty of art, Benchere heads into the Kalahari desert where he is followed quite unexpectedly by a ragtag mix of people. Over the course of his months in the desert, Benchere must address not only the relationship of his art to the world at large, but his own relationship to the world and how our responsibilities, our loves and dreams don’t ever fade in time but, in effect, become evermore defined.

Reluctantly back home in L.A. after 16 years in Africa, documentary filmmaker Mouse FitzHenry longs for the harsh, teeming jungle life her lens took in so lovingly. Wrenched Stateside by a family emergency, with her longtime boyfriend/collaborator in tow, Mouse is instantly beleaguered by a past she’d leapt continents to escape. In this rollicking novel, Karbo explores familiar subjects — the phony glitz of Hollywood, the fairy tale lure of love and marriage — with precision, compassion, and humor. Mouse’s paramour, Tony, a Brit who calls her “poppet,” adores L.A. and all that it can do for him and his screenplay. Mouse, meanwhile, caving in to maternal pressure, agrees to marry Tony and then proceeds, with the help of an old flame, to film around her unwitting fiancé a documentary on the entire process of their betrothal called Wedding March. A flawless, page-turning story emerges as Mouse and Tony manage — often with hilarious subterfuge — to keep their projects secret from one another. With its laugh-aloud moments and a cast of brilliantly drawn characters, this is a tale to treasure.

Eine Liebeserklärung an die Welt, wie sie hätte sein können. Die Welt ist untergegangen, aber Hig hat überlebt. Ebenso sein einziger Nachbar, ein menschenfeindlicher Waffennarr mit dem Herz auf dem rechten Fleck, der ihn – brutal, aber verlässlich – beschützt. Hig lebt im Hangar eines verwilderten Flughafens und tuckert mit einer alten Cessna übers Gelände, sein Hund Jaspar ist sein treuer Copilot. Man schlägt sich halt so durch. Dann empfängt er plötzlich ein Funksignal. Gibt es doch noch Leben, jenseits seines kleinen Flughafens? Hig beginnt eine abenteuerliche Reise, und was er entdeckt, übertrifft seine schlimmsten Ängste – und seine größte Hoffnung.

* Winner of the First Fringe Award at the Edinburgh Festival * May be the hardest ticket to get in New York

When a young scholar finds Eternal Hydra, a long-lost, legendary and encyclopedic novel by an obscure Irish writer, she brings the manuscript to an esteemed publisher, hoping to secure an international audience for the book. But Vivian's obsession with the dead author, who has materialized in her life, is challenged by the work of a contemporary historical novelist, and she's forced to face confounding questions about authorship, racism, and ethical behavior. Weaving between modern-day New York, 1930s Paris and New Orleans in the years following the Civil War, Eternal Hydra is a postmodern look at the making of a modernist masterpiece.

In the vast, unnamed metropolis of Hello … Hello, art and commerce have finally and completely conjoined; stylish cafés serve up zebra mussels and the air is thick with a gentle rain of sparrows plummeting down from the mirrored office towers. Everywhere, people are falling for an edgy new fashion accessory: a shiny ball filled with poison that hangs from a delicate chain. In this oddly peaceful world, Cassandra, a salesgirl at a clothing store called the Abyss, meets a charismatic ad man named Ben in the graveyard where she is mourning her lover, the last true artist on earth. They find themselves helplessly attracted to one another. Ben walks Cassandra home and invites her out to dinner, which leads to sex, marriage and a house in Semi-Residentia. Then comes baby. All one and a half inches of her. Hello … Hello, nominated for several Dora awards, including Best Play and Best Musical, is a tragic, comedic and curiously erotic attack on western society’s predilection for escapist consumerism and entertainment. If the boy-meets-girl musical is the shiny happy ball, then the content of the play, and its characters, are the poison held within.

Avasta unenägudes sisalduv tarkus, et parandada oma suhteid, rikastada elu ja vaimselt kasvada. Diane Brandon õpetab, kuidas kasutada unenägusid teadvuse avardamiseks, probleemide lahendamiseks, inspiratsiooni leidmiseks ja oma elu sügavamaks mõistmiseks, käsitledes järgmisi teemasid: – unenägude tüübid ja nende üldised tähendused – unenägude meenutamise ja esilekutsumise tehnikad – endelised unenäod ja selgeltnägemine – detailsed juhised unenägude tõlgendamiseks – tervisega seotud ja tervendavad unenäod – unenägude kasutamine kõrgema teadlikkuseni jõudmiseks

Eine peinliche Überraschung für den biederen Mr. Tipps: Da liegt doch tatsächlich eines Morgens ein nackter Unbekannter in seiner Badewanne. Und nicht nur das, der Fremde ist auch noch tot. Lord Peter Wimsey interessiert sich natürlich sofort für den skurrilen Fall, zumal fast gleichzeitig ein dem Toten entfernt ähnlich sehender Börsenmakler spurlos verschwunden ist. Fehlt da ein Toter? Christian Brückner liest den aristokratischen Lord Peter mit Charme und britischem Humor.

Am frühen Morgen entdeckt ein Jäger eine junge Frau, die leblos im Wald liegt. Sie wurde hinterrücks erschossen. Die Polizei stuft den Fall zunächst als Jagdunfall ein, doch schon kurz darauf wird erneut eine Frau erschossen. Spezialermittlerin Laura Kern erkennt sofort Parallelen in den beiden Fällen. Denn die Opfer sterben nicht nur im Abendkleid, neben ihnen liegt auch eine Blüte und ein Foto, dass sie noch lebendig zeigt. Laura ist einem Killer auf der Spur, der nur ein Ziel kennt: Töten!

The poems in Book of Mercy brim with praise, despair, anger, doubt and trust. Speaking from the heart of the modern world, yet in tones that resonate with an older devotional tradition, these verses give voice to our deepest, most powerful intuitions. Internationally celebrated for his writing and his music, Leonard Cohen is revered as one of the greatest writers, performers, and most consistently daring artists of the last hundred years.

<P>This collection of Ted Greenwald's poetry, edited by Miles Champion, is a sampler of some of Greenwald's most breathtaking work. A New York poet with close ties to the New York School and the Language poets, Greenwald has written daily since the early 1960s, and none of the poems in this book are included in any of his books to date. These discrete works were written in advance of or alongside the extended explorations of a mutated triolet form that increasingly occupied him from the late 1970s on. This book can be seen as a companion to Common Sense, and provides further evidence of Greenwald's ability to think with his ear, to hear what's said as it arrives as a fresh sound or shape in his head. This work is singular in its pattern-making, its music-making, and its ability to simultaneously follow multiple paths. An online reader's companion will be available at tedgreenwald.site.wesleyan.edu</P>

Recipient of the 1956 Nobel Prize for Literature, Jian Ramón Jiménez (1881–1958) ranks among the foremost Spanish poets. The early influences of German Romanticism and French Symbolism led Jiménez to the development of his unique voice, and he became a leader in the vanguard known as the modernistas, who staged a Spanish literary revival at the turn of the twentieth century.Jiménez's most popular work, Platero y yo, unfolds in his native Andalusia. A series of autobiographical prose poems about the wanderings of a young writer and his donkey, it first appeared in a shorter version, suitable for children, in 1914. This new, accurate English translation is drawn from the complete edition, which was published in 1917. The only dual-language edition of this classic of Spanish literature, it is accompanied by an excellent introduction and explanatory notes that will assist students in understanding and appreciating this work.

Experience a wonderfully complex world of characters and cultures as you explore modern Damascus with a spirited teenage boy.Amid the turmoil of modern Da­mascus, one teenage boy finds his political voice in a message of re­bellion that echoes throughout Syria and as far away as Western Europe. Inspired by his dearest friend, old Uncle Salim, he begins a journal to record his thoughts and impressions of family, friends, life at school, and his growing feelings for his girlfriend, Nadia. Soon the hidden diary be­comes more than just a way to re­member his daily adventures; on its pages he explores his frustration with the government injustices he witnesses. His courage and ingenuity finally find an outlet when he and his friends begin a subversive under­ground newspaper.Warmed by a fine sense of humor, this novel is at once a moving love story and a passionate testimony to the difficult and committed actions being taken by young people around the world. This book is not only suited for teenagers, it is also quite exciting to read for adults!

The story of three different young women marks the literary debut of an amazing writer from LebanonAlways Coca-Cola is the story of three very different young women attending university in Beirut: Abeer, Jana, and Yasmine. The narrator, Abeer Ward (fragrant rose, in Arabic), daughter of a conservative family, admits wryly that her name is also the name of her father’s flower shop. Abeer’s bedroom window is filled by a view of a Coca-Cola sign featuring the image of her sexually adventurous friend, Jana. From the novel’s opening paragraph—“When my mother was pregnant with me, she had only one craving. That craving was for Coca Cola”—first-time novelist Alexandra Chreiteh asks us to see, with wonder, humor, and dismay, how inextricably confused naming and desire, identity and branding. The names—and the novel’s edgy, cynical humor—might be recognizable across languages, cultures, and geographies. But Chreiteh’s novel is first and foremost an exploration of a specific Lebanese milieu. Critics in Lebanon have responded in a storm, calling the novel “an electric shock” and finding that the problems of its characters reflect grave “social anomalies.” Read Chreiteh and see what the storm is all about.

En situaciones de crisis pueden surgir epidemias de trastornos psicológicos y psiquiátricos -más o menos graves- de consecuencias impredecibles pero siempre traumáticas y con repercusiones en todos los ámbitos de la vida social, económica y de la salud.La ansiedad, el confinamiento, la soledad, el aislamiento social, el miedo a la enfermedad, el duelo no superado, la pérdida económica y laboral, la incertidumbre y la impotencia ante situaciones que no podemos controlar son los detonantes, entre otros de estos trastornos que además en tiempos de crisis puede expandirse como un gas letal.Estamos lejos, afortunadamente, del estigma con que el mundo marcó durante siglos los trastornos psicológicos y a los enfermos mentales o a los que simplemente eran o se comportaban de una manera diferente a la generalidad. Hoy podemos detectar, prevenir y paliar e incluso sanar estos estados que se esconden en la trastienda de nuestra mente

A story about one all-inclusive resort, the ghost of an unknown father, and the tragedies we can’t forget. What’s it like when everyone’s dream vacation is your job? Ameera works at a Mexican all-inclusive resort, where every day is paradise – if “paradise” means endless paperwork, quotas to meet, and entitled tourists. But it’s not all bad: Ameera’s pastime of choice is the swingers scene, and the resort is the perfect place to hook up with like-minded couples without all the hassle of having to see them again. Despite Ameera’s best efforts to keep her sideline a secret, someone is spreading scandalous rumours about her around the resort, and her job might be at stake. Meanwhile, she’s being plagued by her other secret, the big unknown of her existence: the identity of her father and why he disappeared. Unbeknownst to Ameera, her father, Azeez, is looking for her, and they both must come to terms with the reason why he abandoned her. A moving new work from award-winning author Farzana Doctor, All Inclusive blurs the lines between the real world and paradise, and life and death, and reminds us that love is neither easily lost nor found. Now Magazine Best Author • Kobo Best Book of the Year – Canadian Favourites Category

"Cross García Márquez and Simenon and set the piece on the Sea of Japan, and you’ll have a feel for Ono’s latest… Fans of Kenzaburo Oe’s Death by Water and Haruki Murakami’s 1Q84 will enjoy Ono’s enigmatic story.” — Kirkus (starred review) All societies, whether big or small, try to hide their wounds away. In this, his Mishima Prize-winning masterpiece, Masatsugu Ono considers a fishing village on the Japanese coast. Here a new police chief plays audience for the locals, who routinely approach him with bottles of liquor and stories to tell. As the city council election approaches, and as tongues are loosened by drink, evidence of rampant corruption piles up—and a long-held feud between the village’s captains of industry, two brothers-in-law, threatens to boil over. Meanwhile, just out of frame, the chief’s teenage daughter is listening, slowly piecing the locals’ accounts together, reading into their words and poring over the silence they leave behind. As accounts of horrific violence—including a dangerous attempt to save some indentured Korean coal mine workers from the Japanese military police and the fate of a group of Chinese refugees—steadily come into focus, she sets out for the Bay, where the tide has recently turned red and an ominous boat from the past has suddenly reappeared. Populated by an infectious cast of characters that includes a solemn drunk with a burden to bear; a scarred woman constantly tormented by the local kids’ fireworks; a lone communist; and the “Silica Four,” a group of out-of-work men who love to gossip— Echo on the Bay is a quiet, masterful epic in village miniature. Proof again that there are no small stories—and that History’s untreated wounds, no matter how well hidden, fester, always threatening to resurface.

Considered one of the most important and widely read novels ever written in the Italian language, “The Betrothed (I Promessi Sposi)” is Alessandro Manzoni’s 1827 historical novel, which details the terribly oppressive rule of the Spanish over Italy in the early 1600s. At the center of the novel is the story of two young lovers, Renzo and Lucia, whose marriage is forbidden by the local baron, who wishes to wed the lovely Lucia himself. Forced to flee their homes, Renzo and Lucia are separated and must struggle against the ravages of war, famine, and the plague to be reunited again. While in essence a simple and affecting love story, “The Betrothed” is also a fascinating and detailed glimpse into a dramatic and tumultuous period in Italy’s history. Famed for its depiction of young love, devotion, and fidelity, the novel is also noted for its incredibly realistic depictions of the real-life plague that ravaged Milan, as well as the subsequent bread shortages and violent unrest. Manzoni’s “The Betrothed” is an epic Italian masterpiece.

Big Hig gehört zu den Wenigen, die eine verheerende Epidemie überlebt haben. Ebenso wie sein einziger Nachbar, ein menschenfeindlicher Waffennarr mit dem Herz auf dem rechten Fleck, der ihn – brutal, aber verlässlich – beschützt. Hig lebt im Hangar eines verwilderten Flughafens und tuckert mit einer alten Cessna übers Gelände, sein Hund Jasper ist sein treuer Copilot. Eines Tages empfängt er plötzlich ein Funksignal von weit her. Gibt es doch noch weitere Überlebende, jenseits seines kleinen Flughafens? Hig beginnt eine abenteuerliche Reise, und was er entdeckt, übertrifft seine schlimmsten Ängste – und seine größte Hoffnung. Hig liebt die Welt, wie sie einmal war, und wie sie hätte sein können. Und weil er zudem die Poesie liebt, wird sein Bericht aus dem Innersten der Kampfzone zu einem herzzerreißenden, anrührenden Dokument.

Chretien de Troyes was a French poet in the late 12th century whose work represents some of the best examples of Arthurian legend from medieval times. Contained in this volume are the author’s four completed Arthurian romances. The first of these stories is that of “Erec and Enide”, which recounts the story of Erec, one of King Arthur’s knights, and the conflict between love and knighthood he experiences in his marriage to Enide. The second romance is the tale of the knight “Cligès” and his love for his uncle’s wife, Fenice. The third romance is that of “Yvain, the Knight of the Lion”, in which Yvain seeks to avenge his cousin Calogrenant, who had been defeated by an otherworldly knight. Lastly is the tale of “Lancelot, the Knight of the Cart”, which centers on Lancelot’s rescue of Guinevere, King Arthur’s queen. These classic medieval poems form some of the earliest and most prominent examples of the legend of King Arthur. This edition follows the prose translation of William Comfort.

W wynajętym mieszkaniu w łódzkiej kamienicy zostają odnalezione zmasakrowane zwłoki studentki Martyny Bułeckiej. Brak śladów sugerujących tożsamość sprawcy. Brak motywów. Brak świadków. Komisarz Tomek Kawęcki, jeszcze parę lat wcześniej utalentowany śledczy, dziś jest wypalonym samotnym alkoholikiem. Ale tylko on daje nadzieję na rozwikłanie sprawy zabójstwa 24-letniej kobiety, pod warunkiem że zdoła wziąć się w garść i zechce współpracować z kolegami. Tymczasem szczególnie młoda sierżant Magda Giętka budzi w nim nieuzasadnioną niechęć. Szukając zabójcy Martyny Bułeckiej, policjanci zapuszczają się w najbardziej zdegenerowane rejony Łodzi. Poznają świat dewiantów, prostytutek i narkomanów, zblazowanych studentów i wykładowców, wykolejeńców balansujących na granicy prawa, skorumpowanych prawników i zdeprawowanych dziennikarzy. Przekonują się, że ludzie przeważnie nie są takimi osobami, za jakie się podają, a niektórych policjantów od przestępców różni jedynie mundur. Wśród sfrustrowanych członków zespołu śledczego coraz częściej dochodzi do tarć. Sytuację dodatkowo komplikuje odkrycie związku pomiędzy zabójstwem Martyny Bułeckiej a sprawą sprzed czterech lat. Wówczas w małej wsi nieopodal Łodzi w podobny sposób została zamordowana nastoletnia dziewczyna. Tyle że sprawca tamtego zabójstwa został schwytany i osądzony. Tragiczna pomyłka? A może celowe działanie…

Pierwsza część nowej serii królowej szwedzkiego kryminału. Inteligentna i piękna Faye ma wszystko – wspaniałego męża, ukochaną córeczkę i luksusowy apartament w najlepszej dzielnicy Sztokholmu. Jednak pozory mogą mylić… Jej idealne życie to w rzeczywistości desperackie próby zadowolenia Jacka. Dręczona przez mroczne wspomnienia z Fjällbacki, Faye coraz częściej czuje się jak zamknięta w złotej klatce. Nie może pozbyć się wrażenia, że poświęciła swoje ambicje na rzecz mężczyzny, który coraz bardziej się od niej oddala. Kiedy Jack i ich córka Julienne nie wracają z rejsu łodzią, a policja dostrzega w mieszkaniu kałużę krwi, podejrzenie szybko spada na męża Faye. Co przed nią ukrywa? Czy zabił własną córkę? Nic w życiu Faye nie będzie już takie, jak do tej pory. „Złota klatka” to trzymający w napięciu thriller o determinacji, sile charakteru i brutalnej zemście. Audiobook w interpretacji Joanny Jeżewskiej. CAMILLA LÄCKBERG należy do najbardziej poczytnych pisarek w Szwecji. Składająca się z dziesięciu pozycji seria powieści kryminalnych z Fjällbacki sprzedała się w dwudziestu dwóch milionach egzemplarzy w sześćdziesięciu krajach. Camilla Läckberg odnosi również sukcesy jako bizneswoman, jest współzałożycielką spółki inwestycyjnej Invest In Her, działającej na rzecz kobiecej przedsiębiorczości i równości płci. W skład serii o Fjällbace wchodzą książki: Księżniczka z lodu; Kaznodzieja; Kamieniarz; Ofiara losu; Niemiecki bękart; Syrenka; Latarnik; Fabrykantka aniołków; Pogromca lwów; Czarownica.

Memories of farming in the 1940s conjure up images of horse-drawn farm machinery, grain stooks in fields, hay meadows, free-range chickens and cords of wood strategically placed for fuelling the kitchen range – all before farming became the highly technical, big-time operation it is now. Author Victor Carl Friesen was born and raised on a quarter section farm in Saskatchewan and still owns the «home place.» It is there he still goes to renew his inner being. His poems, grouped into seasonal activities or observations, celebrate the rural world. Written in traditional blank verse, his poetry includes activities of yesteryear, his personal connections to rural life and his reverence for nature. Nature, as Henry David Thoreau said, is «one and continuous.» Victor Carl Friesen lives and writes in Rosthern, Saskatchewan, but photographs nature anywhere. The first recipient of the Alberta Book Award, he is the author of five books including The Year Is a Circle.

First published in 1922, “Captain Blood” is an entertaining tale of pirates by Rafael Sabatini, the Italian-English author of adventure and romance novels. “Captain Blood” tells the story of Dr. Peter Blood, an Irish physician who had traded his past life as a sailor and a soldier for a quiet life tending to his garden and patients in Somerset, England. Dr. Blood attends to the wounds of rebels injured in the Battle of Sedgemoor during the Monmouth Rebellion and is soon arrested for treason. While he did not actually participate in the rebellion and merely did what he felt he must, he is tried and convicted nonetheless. The sentence for treason is death, but King James II has the sentence commuted and instead sells Dr. Blood and his fellow rebels into slavery in the Caribbean. Dr. Blood continues to demonstrate his bravery and decency after he is bought by the cruel Colonel Bishop and takes advantage of a raid by Spanish forces to escape his new owner. Dr. Blood acquires a ship and quickly becomes the most successful pirate in the Caribbean, ultimately triumphing over his enemies and misfortune. “Captain Blood” remains a gripping and entertaining tale of pirates and high sea adventures. This edition includes a biographical afterword.

The poems of Compass and Clock take their inspiration from the intersection of the natural world and the human, exploring the landscapes in which those intersections occur. Those landscapes range from David Sanders’s native midwestern countryside to the caves of Lascaux and an enchanted lake where relics of lost lives are washed ashore. Yet, the true source of the poems’ vitality is Sanders’s attention to the missed or misread moments, those times when the act fails, and the perceived clashes with the actual. Here, the satisfying pairing of elegance and vulnerability invites the reader to tour those uncanny landscapes from which one returns irrevocably changed—refreshed, but wistful. In a review of his earlier limited-edition work, Time in Transit, the Hudson Review called David Sanders “a poet to watch.” With the Swallow Press publication of Compass and Clock, we have the realization of that promise.

First published in 1909, “A Girl of the Limberlost” is American author and naturalist Gene Stratton-Porter’s sequel to her 1904 novel “Freckles” and continues the stories of many of the same characters. Also set in Indiana near the Limberlost Swamp at the beginning of the 20th century, it tells the tale of Elnora Comstock, a young girl who is just entering high school at the outset of the novel. The story is one of Elnora’s emerging adulthood and her struggles: to overcome her poverty; to win the love of her mother, who blames Elnora for her husband’s death; to afford an education and a more secure future; and to find a romantic love of her own. Elnora is an admirable heroine, hard-working and diligent, respectful and resourceful. She collects moths and artifacts from the Limberlost to sell and uses the money to better herself and save for college. Like the rare moths she finds, Elnora too undergoes a transformation from a shy and reticent young girl into an intelligent and charming young lady, who earns the admiration of all she meets and eventually the love and acceptance she so desires. A classic and romantic coming of age story, “A Girl of the Limberlost” will delight readers of all ages. This edition includes a biographical afterword.

First published in 1908, E. M. Forster’s “A Room with a View” is the story of a young English middle-class girl named Lucy Honeychurch. As the novel opens we find Lucy touring Italy with her overbearing older cousin and chaperone, Charlotte Bartlett. The two are upset over the views from their rooms. Having been promised views that overlook the river Arno, the two instead receive views of the courtyard. Their complaints are overheard by Mr. Emerson, who offers to swap rooms with them, citing the fact that he and his son George both have rooms that overlook the Arno. After a brief romantic encounter between George Emerson and Lucy while they are in Florence, the two travel on to Rome where Lucy is wooed by her friend from England Cecil Vyse. When Lucy learns from the vicar that a local cottage has been rented she discovers that the Emersons have arrived in Rome. Again the prospect of romance with George entices Lucy but she is torn between the more acceptable prospect of a union with Cecil. “A Room with a View” is the classic human struggle of choosing a partner who is the most socially acceptable versus the desire for true love. This edition includes a biographical afterword.

Pierre Choderlos de Laclos produced “Les Liaisons Dangereuses”, or “Dangerous Liaisons”, in an effort to “write a work which departed from the ordinary, which made a noise, and which would remain on this earth after his death”. He did just that. First published in 1782 in four volumes, “Les Liaisons Dangereuses” was an immediate success, and has since inspired a large number of literary commentaries, plays, and films. The novel is an epistolary piece, written as letters between members of the French noble class. An egotistical battle for control ensues between the Marquise de Merteuil and the Vicomte de Valmont, with the promise of sexual gratification to the victor. The primary victims are Cecile, a naïve but pretty young girl, her admirer, the Chavelier Danceny, and Madame de Tourvel, a virtuous married young woman. This scandalous web of sexual desire, intrigue, infidelity, the struggle for power, and the corruption of the French upper class is a masterpiece from one of the most subtle and skillful novelists of the 18th Century.