Книги о фотографии Подписные издания

In 1969, Andy Warhol launched Interview, an underground film journal that quickly transformed into an iconic symbol of New York City culture and style. The monthly’s expansive conversations and irreverent approach opened doors to the intimate circles of society and became a launchpad for creative talents such as Andre Leon Talley and Fran Lebowitz. With a vibrant mix of rising celebrities including Madonna and Leonardo DiCaprio, alongside the legendary presence of Elizabeth Taylor and Steven Spielberg, the magazine became known as “The Crystal Ball of Pop.” Now, fifty years since its inception, dive into the extraordinary archives of Interview and rediscover the columns, photography and voices that collectively tell the history of American culture decade by decade. With an introduction from former editor Bob Colacello, essays from editor-in-chief Nick Haramis and editor-at-large Christopher Bollen, and additional contributions from Interview alumni and friends Andre Leon Talley, Camille Paglia, Christopher Makos, Diane von Furstenberg, Donna Jordan, Eric Boman, Fran Lebowitz, Greil Marcus, Kate Moss, Lauren Tabach-Bank, Marc Balet, Marisa Berenson, Mats Gustafson, Mel Ottenberg, Michael Kors, Paige Powell, Pat Cleveland, Pat Hackett, Patrick McMullan, Richard Turley, Sam Shahid, Sandra Brant, Shelley Wanger, Stephen Mooallem, Tama Janowitz and Victoria Bartlett. In partnership with the upcoming release of Interview: 50 Years, Assouline and Interview magazine are pleased to announce a revolutionary collaboration with VRAccelerator. Bringing a digitally enhanced experience to an Assouline cover for the first time, readers will be able to explore every archival issue from their digital device. A never-before-seen catalog of the magazine’s extensive history, this interactive augmented reality feature also highlights exclusive audio commentaries by Interview staff.

A revised and updated edition of the most comprehensive survey published of Mapplethorpe's photography. Robert Mapplethorpe was one of the twentieth century's most important and influential artists, known for his groundbreaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera in 1970. This comprehensive monograph is an overview of the artist's black-and-white photography of floral still lifes, nudes, selfportraits, and portraits, among other subjects—and also includes a selection of his color images.

A breathtaking visual biography of Freud, told through his own words, unpublished private photographs, and painted portraits. This unprecedented look at the private life of Lucian Freud begins with childhood snapshots and ends with rarely seen photographs made in his studio in the last weeks of his life. In between, the life of one of the most important artists of the twentieth and twenty-first centuries is vividly documented - through family photos, in images of the painter in his studio with some of his most celebrated sitters, and in portraits by his peers, first among them Francis Bacon.

70 years of DIOR history set against the bustle of Times Square: this was Peter Lindbergh’s concept, extraordinary both in scope and dimension, for which the House allowed an unprecedented number of its most iconic garments to travel across the Atlantic. In this two-volume compendium, the legendary photographer’s final book project, discover the shoot in never-before-published images, as well as a tribute to an electrifying partnership between two pillars of fashion.Multilingual Edition: English, French, German

Acclaimed photography critic Vince Aletti has selected 100 significant magazine issues from his expansive personal archive, revealing images by photographers rarely seen outside their original context. With his characteristic elan and featuring stunning images, Aletti has created a fresh, idiosyncratic, and previously unexplored angle on the history of photography. Issues, a luxury, oversized object, richly illustrated with brilliant reproductions, and enclosed in an elegant archival-style magazine-file box, is an essential addition to every book collection on photography, fashion, and graphic design. It's the first survey to explore the history of photography through the lens of fashion magazines, spanning the years 1925 to 2018. Magazines featured include American, British, and French Vogue, Harper's Bazaar, W, Details, Purple Fashion, The Face, Dutch, and many more.

Lauren Greenfield: Generation Wealth is both a retrospective and an investigation into the subject of wealth over the last twenty-five years. Greenfield has traveled the world - from Los Angeles to Moscow, Dubai to China - bearing witness to the global boom-and-bust economy and documenting its complicated consequences. Provoking serious reflection, this book is not about the rich, but about the desire to be wealthy, at any cost.

Follow Peter Lindbergh across four decades of pioneering fashion photography. Through countless collaborations with the most venerated names in fashion, the German photographer created new narratives with his humanist approach, which resulted in iconic shots at once introspective and appealing. This book features more than 300 images, many previously unpublished, as well as an updated introduction in which Lindbergh establishes his sentiment on “so-called fashion photography”. Multilingual Edition: English, French, German

Since launching his first fashion collection in 1973, Manfred Thierry Mugler has been celebrated for his fierce creative vision. Drawing inspiration from everything from architecture and theatre to Old Hollywood and futurism, Mugler not only designs his collections, but also stages his own shows, directs the advertising campaigns, and photographs his fantastical creations. Including both iconic and never-before-published images, this book is illustrated with more than 150 photographs from his captivating personal collection and includes a travel journal-inspired text that follows Mugler around the world on his shoots, offering a behind-the-scenes look at how the images came to be. Proving that Mugler's vision is best captured by his own extraordinary images, Manfred Thierry Mugler Photographer is a vibrant visual journey through the work of a singular talent.

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz. Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

When William Eggleston’s second artist’s book Morals of Vision was first published in 1978 in a limited edition of 15, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which includes an extra photo not used in the original edit and re-imagines Morals of Vision as a trade book for the general public. The original Morals of Vision contains eight color coupler prints of Eggleston’s archetypal still lifes, landscapes and portraits which glorify the banal and have since changed the history of color photography. “There is no particular reason to search for meaning,” Eggleston has said of his work in general, a sentiment in contrast with the title Morals of Vision which suggests that there are indeed principles of a kind to be learnt from the images in this book. Yet the lessons in photos including those of a broom leaning again a wall, green grain silos in the fading light, and an off-center electric candle complete with fake wax, remain Eggleston’s own ironic secret. 9 color photographs printed on Phoenixmotion Xantur 115gsm paper from Scheufelen paper mill, mounted on Somerset Book 115gsm paper from St. Cuthbert Mill with PVA adhesive. The type, has been set in Berthold Quality Bemba and Perpetua, in reference to Katy Homans’ original design for William Egglestonґs 1978 book.

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be." --Richard Avedon, 1974 The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts—and, sometimes, their inner lives—to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

Peter Lindbergh and Azzedine Alaia, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaia drew on the monochrome of timeless clothes to create veritable sculptures for the body. In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion. Despite their geographically opposed origins, Lindbergh and Alaia pursued similar horizons. At the same time as Lindbergh’s reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaia was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture. Alaia became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations. Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaia’s clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty. The book accompanies the exhibition Azzedine Alaia, Peter Lindbergh at the Fondation Azzedine Alaia, 18 rue de la verrerie, Paris, France. With contritutions by Fabrice Hergott, director of the Musee d’Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaia, Paris.

Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson’s earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his instinct for capturing what he called the decisive moments was unparalleled, as a photojournalist Cartier-Bresson was uniquely concerned with the human impact of historic events. In his photographs of the liberation of France from the Nazis, the death of Gandhi, and the creation of the People’s Republic of China in 1949, Cartier-Bresson focused on the reactions of the crowds rather than the subjects of the events. And while his portraits of Sartre, Giacometti, Faulkner, Capote, and other artists are iconic, he gave equal attention to those forgotten by history: a dead resistance fighter lying on the bank of the Rhine, children playing alongside the Berlin Wall, and a eunuch in Peking’s Imperial Court. Divided into six thematic sections, the book presents the photographs in spare doublepage spreads. In a handwritten note included at the end of the book, Cartier-Bresson writes, »In order to give meaning to the world, one must feel involved in what one singles out through the viewfinder.« His work shows how he has been able to capture the decisive moment with such extreme humility and profound humanity.

Michael Poliza captures some of the country's most spectacular scenery, from the highest star dunes in the world around Sossusvlei to the NamibRand Nature Reserve, the Kalahari Desert, and the granite peaks of the Spitzkoppe. Taken from both the ground and the air, more than 100 photographs present the country's nature and wildlife, as well as its indigenous peoples and their ways of life as cattle breeders and smallholder farmers.

In May 1971, Artforum, bastion of late modernism, featured the work of a photographer for the very first time. On its cover and in a six-page spread, it published selections from Diane Arbus’s portfolio, A box of ten photographs. In the words of the magazine’s editor and photography skeptic, Philip Leider, “The portfolio changed everything . . . one could no longer deny [photography’s] status as art.” At the time of Arbus’s death, two months later, only four of the intended edition of fifty had been sold. Two had been purchased from Arbus by Richard Avedon (the first for himself, the second as a gift for his friend Mike Nichols); another was purchased by Jasper Johns; and a fourth by Bea Feitler, art director at Harper’s Bazaar. Arbus signed the prints in all four sets; each print was accompanied by an interleaving vellum slip-sheet inscribed with an extended caption. For Feitler, Arbus added an eleventh photograph, A woman with her baby monkey, N.J. 1971. Acquired by the Smithsonian American Art Museum, Washington, DC, in 1986—and the only one of the four completed and sold by Arbus that is publicly held—that portfolio is the subject of an exhibition on view at the museum from April through September 2018. This exceptional book replicates the nature of Diane Arbus’s original and now legendary object. Smithsonian curator John P. Jacob, who has unearthed a trove of new information in preparing the book and exhibition, weaves a fascinating tale of the creation, production, and continuing repercussions of this seminal work. Published by Aperture in association with the Smithsonian American Art Museum, Washington, D.C.

В альбоме представлено более 800 фотографий белых генералов и офицеров из частных коллекций. Большинство публикуются впервые. Самые забытые солдаты России… Здесь их лица, здесь люди слава которых теперь необходима национальной памяти. Верность долгу. Верность отечеству и присяге. Идеалы свободы, чести и гражданского общества. Вера. Честность. Доблесть. Без вас России уже нельзя… Они были такими какими мы видим их здесь… Язык текста: русский/английский/французский

The most comprehensive photographic study of an extraordinary city, Berlin, Portrait of a City offers some 560 pages of aerial views, street scenes, portraits, and more to trace the city from the Roaring Twenties to the ruins of war to its rebirth as political and cultural capital. Quotes from famed Berlin icons and connoisseurs, from Marlene Dietrich to David Bowie, accompany the images.

With her soft yet vivid portraits, Anne Geddes explores the extraordinary experience of infancy and parenthood like no other photographer. This clothbound, large-format career retrospective channels Geddes’s mantra that each child must be “protected, nurtured and loved” with an abundance of pictures, including many previously unseen images, and a sticker motif. Multilingual Edition: English, French, German

Сергей Михайлович Прокудин-Горский — русский ученый, фотограф и изобретатель цветной фотографии в России. В начале ХХ века он проехал по железным дорогам через всю Россию, от Петербурга до Тобольска и от Мурманска до Туркестана. Основной целью экспедиции было создание «Коллекции достопримечательностей Российской империи» — уникальной цветной фотолетописи Российской империи. С.М. Прокудин-Горский начал свою экспедицию в 1909 году, отправившись в путь из Петербурга. Планируя маршрут, мастер ориентировался на два предстоящих юбилея: столетие победы в Отечественной войне 1812 года и трехсотлетие дома Романовых. Первой теме был посвящен специальный раздел в структуре коллекции, вторая во многом определила хронологию съемок и их имперский размах.

Lost + Found, Part I is a visual recording of the times we live in and the issues we face, expressed through David LaChapelle’s unique and distinctive vision. Featuring a monumental curation of images that have never before been published in book form, it chronicles LaChapelle’s strongest images as a visionary to date while encapsulating our time in history. Lost + Found, Part I features: Pamela Anderson, Julian Assange, Isabella Blow, David Bowie, Naomi Campbell, Hillary Clinton, Frances Bean Cobain, Miley Cyrus, Lana Del Rey, Lady Gaga, Sharon Gault, Daphne Guinness, Whitney Houston, Kris Jenner, Kendall Jenner, Bruce Jenner, Kylie Jenner, Dwayne Johnson, Khloe Kardashian, Kim Kardashian, Eartha Kitt, David LaChapelle, Amanda Lepore, Nicki Minaj, Katy Perry, Sergei Polunin, Keith Richards, Rihanna, Chris Rock, Amber Rose, Britney Spears, Uma Thurman, Andy Warhol, Kanye West, Pharrell Williams, Amy Winehouse, and many others... Multilingual Edition: English, French, German

В новом издании книги любимого классика советской фотографии Владимира Лагранжа собрано 150 самых известных работ автора, начиная с 60-х и заканчивая 90-ми годами. Это первое книжное издание, благодаря которому можно проследить развитие творческого пути Владимира Лагранжа от оттепельных лет до современной России. Альбом открывается вступительным словом искусствоведа, художественного критика, куратора, историка фотографии Михаила Сидлина. Дизайн книги разработан графическим дизайнером Евгением Корнеевым.

Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Rankin, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Mario Testino, Wolfgang Tillmans, and many, many others. Multilingual Edition: English, French, German

This meticulous reprint of Richard Avedon and James Baldwin’s searing monograph, Nothing Personal, explores the contradictions at the heart of American experience, juxtaposing subjects from Marilyn Monroe and Allen Ginsberg to mental asylum patients and the American Nazi party. A 72-page booklet features never-before-seen outtakes, correspondence, original layouts, and an essay by Pulitzer Prize winner Hilton Als.

Книга-альбом стала результатом длительной работы по изучению истории фото- и киноискусства Северного Кавказа, начиная с первой половины XIX века. Издание завершает именной указатель и библиография.

Celebrating the 50th anniversary of the legendary Pirelli calendar, this retrospective volume brings together all calendar images from 1964-2014 from such greats as Richard Avedon, Peter Beard, Annie Leibovitz, Peter Lindbergh, and Mario Testino, as well as behind-the-shoots insights from art directors Derek Forsyth and Martyn Walsh, and many exclusive unpublished images. Multilingual Edition: English, French, German, Italian, Spanish

Innocence on the run: Sebastiao Salgado’s focus series on child migrants and refugees In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus, Sebastiao Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee reportage, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects’ feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand still before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?

From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this luxurious volume, published as a Swiss-bound hardcover with two paper stocks, showcases Doisneau’s best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1948 until 1952, illustrating a post-war France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the Cafй Society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterly captured scenes from everyday life?from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era, featuring celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer?who was her friend and colleague?offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

Over the course of a decade, French photographer Jean-Luc Bertini traveled the length and breadth of the United States, creating portraits of the unique circumstance of isolation fostered by the country’s geographic circumstances and its espousal of an individualist ethos. Bertini casts his subjects against the vast backdrops of the country, exploring all the nuances of isolation, from solitude to loneliness. This perspective produces an usual and fresh take on America as a nation. In his preface, Richard Ford, author of The Sportswriter, Independence Day, The Lay of the Land and Let Me Be Frank With You, focuses on the physiognomies of solitude in America: “Looking at his work, we build up an idea of the unique character of American solitudes, in non-binary terms, in which what is ours does not only belong to us.”

Книга известного петербургского фотографа, историка фотографии Александра Китаева погружает читателя в социальную атмосферу Петербурга 19 века и рассказывает о важнейшем этапе в развитии как мировой, так и российской фотографии. Текст соткан из подлинных газетных и журнальных публикаций того времени, доносящих эхо непосредственной и неподражаемой реакции современников на происходившее вокруг. Впервые изученную историческую информацию, систематизированную и явленную в увлекательной форме, дополнили более 300 уникальных иллюстраций, тщательно отобранных автором из государственных и частных собраний, большинство из которых публикуется впервые.

PhotoViz explores the intersection of photography, infographics, and data visualization. Combining cutting-edge technology and classic photographic techniques enables us to tell stories and visualize information more powerfully and compactly than ever: a full day of flights all at once, invisible Wi-Fi networks, global trade, intimate psychology, movement, time itself, and more. The concept of PhotoViz invites us to simultaneously reinvent our collective reality and demystify our surroundings. Within this mesmerizing photographic world, striking images reveal the power of tools ranging from long exposure and slit-scan photography to post-processing, collage, and metadata. PhotoViz is a source of inspiration and a crucial resource for designers and photographers alike.

Данное издание является каталогом выставки «Московские фотографические коллекции», организованной Фотогалереей имени братьев Люмьер. Выставка «Московские фотографические коллекции» - событие знаковое. В России массовый зритель увидит настоящую фотографию, ценнейшие винтажи, и посмотрит на нее как на объект вожделения и страсти настоящего коллекционера впервые. И произойдет это в год, когда на аукционе Sothedy's зафиксирован новый рекорд стоимости фотографии - почти 3 миллиона долларов, когда крупнейшая европейская фотоярмарка Paris-Photo откроется в 10-й раз, а американская ассоциация дилеров фотографии AIPAD примет в свои ряды лучших уже 27-й год подряд.

Between 1987 and 2001, Dian Hanson, then editor of Leg Show magazine, and photographer Roy Stuart collaborated on over 100 fetish photo shoots, producing an intensely sexual, socially transgressive body of work unmatched in contemporary erotic photography. Now, discover these stories in their entirety, accompanied by the original Leg Show text, in Power Play, the first book of the Roy Stuart series Embrace Your Fantasies. Multilingual Edition: English, French, German

Книга «Чёрные дни / Dark Days» - проект Валерия Мельникова, документального фотографа, члена Союза фотохудожников России, двукратного лауреата конкурса World Press Photo о трагических последствиях вооружённого конфликта для мирных жителей Юго-Востока Украины. Над проектом «Чёрные дни» Валерий работает уже пять лет, освещая гуманитарную катастрофу в зоне конфликта. Книга «Чёрные дни» состоит из трех частей. Первая часть «Чёрные дни Украины» рассказывает о начале конфликта, военных столкновениях и их последствиях для мирного населения. В 2017 году серия фотографий «Чёрные дни Украины» победила в номинации «Долгосрочный проект» на международном конкурсе World Press Photo. Вторая часть книги носит название «Подземелье» и рассказывает о мирных жителях, живущих на линии огня. Женщины, старики и дети из разрушенной деревни под Донецком прячутся в подвале местной школы. Они остаются людьми в нечеловеческих условиях благодаря стойкости и силе духа. Третья часть книги — «Серая зона» — продолжает повествование о трагических последствиях войны для жителей Донбасса. Эту серию Мельников начал снимать в 2016 году и продолжает работать над ней до сих пор. Книга «Чёрные дни» — результат долгосрочной работы. Это фотодокументальное повествование о катастрофических последствиях для мирных жителей, вовлечённых в военное противостояние не по своей воле.

In one single, elegant volume, this publication features over 300 iconic photographs and contains more than 1,200 concise yet fully detailed entries on all aspects of the subject. Though much information can today be found online, locating it takes time and sources can have questionable provenance and uncertain academic credentials. All previous dictionaries of photography are now outdated, as well, focusing either on the famous and influential practitioners of the genre or presented as mere glossaries of technical terms. This landmark publication is the culmination of ten years of development and research. Working with an international expert panel of 150 consultants and 77 researchers, Nathalie Herschdorfer has triumphed in creating the first source of information for all scholars, practitioners and collectors of photography to turn to in the future.

Peter Lindbergh’s seminal compendium, now published in a special anniversary edition. Through collaborations with the most venerated names in fashion, Lindbergh created new narratives with his humanist approach. This book features more than 300 images, many previously unpublished, and an adapted interview with Lindbergh. Multilingual Edition: English, French, German

During his long career as a photographer, Martin Parr has always photographed on beaches, particularly in the UK. He has often used the beach as a laboratory to experiment with new cameras and techniques. So far example, when he changed from black and white to medium format colour in the early 80s his first major project was about New Brighton, a run down seaside resort near Liverpool. In recent months he has started exploring the beach with the aid of a telephoto lens. This lens is rarely used in the world of art and documentary photography so it is a challenge to find new ways of using it. Often this involves incorporating the vegetation on the perimeter with the beach as a backdrop, both in and out of focus. So over his long career he has tried everything from a close up macro lens, a medium format wide angled camera and finally this latest offering with the telephoto.

Steve McQueen is one of the most important artists, film-makers and screenwriters working today. Over the last 25 years he has been hugely influential in expanding the way in which artists work with film. He has also authored some of the most seminal works of moving image designed for gallery-based presentation, as well as four films for cinematic release, Hunger (2008), Shame (2010), 12 Years a Slave (2013) and Widows (2018). This publication will bring together all the immersive video and film installations he has made since 2000. It will include large-scale video installations including Caribs' Leap/Western Deep (2002), alongside more recent films such as Ashes (2002-15), as well as the premiering new work. For those new to McQueen the book will include a brief but informative overview of his career to date, in the form of an interview between the artist and renowned critic Okwei Enwezor, together with text focusing on new works and his current practice in art and filmmaking, which will provide a unique and personal review of his output. Further essays will focus more deeply and directly on McQueen's artworks in relation to film, black cinema, queer cinema and the sociopolitical context of black British issues and within black diaspora, providing new insight and critical assessment of his work. The publication will also feature his forthcoming Year 3 project to be held at Tate Britain in late 2019 as well as a further new work yet to be announced.

Книга 1001 фотография, которую нужно увидеть — бесценный, захватывающий гид в историю и практику фотографии. Фотографии представлены в хронологическом порядке. Открывшийся калейдоскоп изображений покажется вам одновременно захватывающим и неожиданным. Содержательный текст раскроет подробности создания каждой работы, позволив оценить ее визуальную, эстетическую и историческую значимость. Как появилась эта фотография? С какой целью? Как на нее отреагировали зрители? Здесь вы найдете работы Роджера Фентона и Уильяма Эглстона, Уильяма Генри Фокса Тальбота и Ника Найта, Анри Картье-Брессона и Доротеи Ланж. 1001 фотография, которую нужно увидеть — источник развлечения, информации, образования и сюрпризов, уникальный гид для всех любителей фотографии.

The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A’s photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Martin Barnes, Senior Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A’s new Photography Centre in autumn 2018, Cameraless Photography presents a concise historical survey of photographic images created without a camera. With over 125 photographs supported by extended commentaries and an introduction, it embraces a chronology spanning the early photographic experiments of the likes of Anna Atkins in the 19th century through the avant-garde photograms of modernists such as Man Ray, to the work of contemporary artists, such as Susan Derges, nearly two centuries later. Visually compelling, Cameraless Photography will be an outstanding introductory overview of the key creative, cameraless processes running throughout the history of photography – including photograms, chemigrams, luminograms, dye destruction prints and more – illustrated by the cameraless work of some of photography’s greatest names.

Издание продолжает серию фотографических альбомов издательства «Лики России» о российском государстве конца XIX — начала XX века («Российская империя в фотографиях конца XIX — начала XX века», «Российская империя накануне крушения», «Санкт- Петербург на старых фотографиях», «Москва в фотографиях конца XIX — начала XX века»). В этот альбом вошли фотографии, на которых запечатлены губернские и уездные города, небольшие населенные пункты, усадебные хозяйства, жанровые сцены из народной жизни и этнографические типы Европейской части России. Сибири, Дальнему Востоку и прилегающим территориям предполагается посвятить отдельный том.

Дмитрий Марков о новой книге: "С момента выхода моего первого фотоальбома #Черновик прошло почти пять лет. За это время собралось немало новых фотографий; отобрав лучшие и взяв за основу удачную выставку в Гоголь-центре, мы вместе с издательством Treemedia подготовили новый альбом: «Россия в квадрате». Зачем вообще издавать фотографии, которые уже опубликованы и лежат в сети в свободном доступе? Я вижу две причины. Во-первых, события этого года наводят на тревожную мысль, что вышеупомянутый «свободный доступ» — явление хрупкое и зависит от политической повестки. Конечно, вероятность блокировки инстаграма невелика, но исключать такой сценарий полностью нельзя. В связи с этим хотелось бы сохранить многолетний фотоархив в надежном, аналоговом формате. Во-вторых, мне хочется чтобы эти снимки остались у тех, кто видит в фотографиях частицу своей жизни. Потому что это — часть нашей истории. Это наше детство на спальных окраинах, наши соседи на лавочках у подъездов, знакомые улицы наших городов и, конечно, мы сами. Мне, как фотографу, льстит признание за рубежом, но, положа руку на сердце, мои самые дорогие и любимые зрители те, кто узнают что-то родное в этих картинках. Те, кто, как и я чувствуют связь, вспоминают прошлое или угадывают настоящее. Именно они — мои самые важные зрители. И именно для них этот альбом".

Undeniably one of the most influential innovations of the modern world, the car has revolutionized manufacturing and transformed how we move, forever changing our landscapes, cities, environments and economies. With each revolution, each transformation, have come almost unmatched impacts upon wider culture, changing not only the way we live, but the ways we look at and consider the world around us. The influence of the car upon photography and the work created by photographers since the early 20th century can be clearly traced through the V&A’s photography collection. Autofocus explores the deep cultural significance and impact of the car on the history of photography, playing a role both as subject matter and as a genuine creative vehicle – the means by which photographers have accomplished many of their great works. Written by Marta Weiss, Senior Curator of Photographs at the V&A, and published to coincide with the opening in November 2019 of the exhibition ‘Cars: Accelerating the Modern World’, Autofocus presents over 100 photographs, supported by commentaries and an introduction of c. 1,500 words, that span from the early years of the automobile to the present day. For both photography and car-loving audiences, Autofocus illustrates the ascendance of the car as a cultural icon, and the ways in which it has shaped the world around and ahead of us.

Каталог фотовыставки «Нью-Йоркская фото-лига. 1936 – 1951: рождение американской фотодокументалистики» (30 марта – 22 мая 2016). В каталоге представлены фотографии, сделанные участниками американского объединения фотографов. Объединение было создано из организации Worker’s Camera League в Нью-Йорке в 1936 году, когда известный впоследствии фотограф и социальный деятель Сид Гроссман решил сместить акцент с пролетарской борьбы на художественную и социальную значимость фотографии. В своих уличных, документальных съемках участники – среди них, кроме Сида Гроссмана, значились Вивиан Черри, Уолтер Розенблюм, Беренис Эббот и многие другие демонстрировали жизнь рабочего класса Нью-Йорка 1930-1950х годов. Благодаря этим фотографиям сегодня у нас есть возможность увидеть Нью-Йорк 80-летней давности, побывать в Гарлеме, Бруклине и Бронксе, практически услышать детские голоса и почувствовать гул большого города.

Girls, Girls, Girls! of St. Petersburg: A Photo Dating Album Girls, Girls, Girls! of St. Petersburg Languages: English, Russian, German

Land Inc. is a travel documentary through Brazil, Dubai, Ethiopia, Madagascar, Indonesia, the Philippines and Ukraine to document a crucial phenomenon: land grabbing. Neocolonialism or development opportunities? Seven internationally renowned experts give us an overall view of the matter. Land Inc. is above all the result of two years of work of four photographers from the Italian collective TerraProject who, from 2012 to 2013, travelled the seven countries to understand the issues, depict the actors and analyse the balance of powers of this global phenomenon.

Retro Cameras is a stylish, design-led guide to classic and retro cameras aimed at those who want to discover the world of analogue photography. It includes more than 100 camera models, from the easily affordable to the highly collectible, in 13 formats: 35 mm SLRs; 35 mm Rangefinders; 35 mm Viewfinder Cameras; Roll Film SLRs; Sheet and Roll Film Folding Cameras; Twin Lens Reflexes; Instamatics; Stereo Cameras; Panoramic and Wide-angle Cameras; Miniature Cameras and Instant Cameras. Supplementing an already comprehensive resource are quick reference shooting guides for each format, as well as a section on retro camera accessories. With over 400 specially commissioned photographs, practical advice on how to use and get the most out of each camera, buyers’ tips and a dedicated glossary, Retro Cameras is a perfect reference for young photographers who want to get creative with analogue photography, while also offering authoritative guidance for more experienced collectors and enthusiasts.

Using a pair of compact Leicas, Katz produced and hand-developed eighty black and white portraits of Richter painting, sketching and mentally processing his work. These candid photographs reflect genuine moments in the life of his subject, encompassing humour, melancholy and love. Katz, a veteran of the art world himself, has captured many other legendary figures in his work, and has exhibited in some of the world’s most important galleries. Among his subjects are Joseph Beuys, Sigmar Polke, Rosemarie Trockel, Martin Kippenberger and Georg Baselitz. Katz’s striking photographs offer new insights into the celebrated career of Gerhard Richter. Text: German / English / French

'While looking through his contact sheets, Harvey Benge noticed that one of his pictures reminded him of a ‘Friedlander’, another someone else. All photographers do this, and if the photograph in question apes another photographer too closely, it’s usually a cause for rejection. But Benge did the opposite. Picking out his ‘Friedlander’ and his ‘Parr’ and his ‘Baltz’ he decided to make an ‘anthology’ of contemporary photography featuring some of its biggest names. Yet they are all genuine, original Benges. They are also all good pictures, not mere pastiches of the ‘originals’ of which they gently but insistently remind one. This may be a game, but games can be very serious, and this fascinating book is both a serious and light-hearted exploration of photographic style.’ – Gerry Badger Working from both Paris and Auckland, New Zealander Harvey Benge has established an enviable international reputation with exhibitions throughout the world. He has published over a dozen books and has been a finalist of the Prix du Livre, Arles Festival, France. His work is held in many major collections.

«Сто заповедных лет» — это итог четырехлетней (2013–2016) трансроссийской фотоэкспедиции Игоря Шпиленка — известного блогера, фотографа дикой природы, лауреата фестивалей «Первозданная Россия», «Золотая черепаха» и других. Экспедиция была посвящена 100-летию заповедной системы России, которое отмечалось в 2017 году. Автор проехал на автофургоне 60 000 километров, посетив более 50 заповедников и национальных парков, снимая ту природу, которую им удалось сохранить. Его машина побывала на берегах Берингова и Охотского моря, на вулканических плато Камчатки, проехала Приморье, Приамурье, Байкал, бескрайнюю Сибирь, побывала на Южном и Северном Урале, Белом море. Результат: фотокнига с захватывающими пейзажами, редкими животными и просто интересными кадрами тех мест, где мало кто бывает. Сопровождающий текст рассказывает одновременно о путешествии автора (в духе Стейнбека, в простом хронологическом порядке, со всевозможными происшествиями и приключениями) и об истории заповедного дела в России — с проблемами и достижениями, а также краткими описаниями каждого заповедника. В данном, первом томе описан путь от заповедника «Брянский лес» до Владивостока через 28 заповедников и нацпарков.

«Африканские дневники» — ретроспектива известного фотографа и журналиста, лауреата премии World Press Photo Виктории Ивлевой, посвященная ее работе в горячих точках африканского континента: это Руанда во время геноцида 1994 года, минные поля Анголы, раздираемый гражданской войной Судан, лагерь беженцев в Уганде, трущобы Найроби. В фокусе Виктории Ивлевой — простые люди и их истории, полные ужаса и надежд, бюрократического абсурда, быта и веры в будущее. Ивлева рассказывает их в своих фотографиях и через предельно личные тексты и дневники, в которых драматизм, документальность, а иногда и юмор сплетены в попытке справедливо и честно описать ненадежную реальность и отразить характер людей в контексте трагических событий.

Альбом дает представление о роли женского образа в архитектуре и скульптуре Петербурга. Опубликованные работы авторов, петербургских мастеров художественной фотографии, еще раз подтверждают известную истину, что женский образ всегда вдохновлял художников и архитекторов на создание шедевров. Альбом содержит 216 фотографий, более половины опубликованы впервые.

Передавайте движение! Создавайте превосходные портреты! Получайте потрясающие снимки пейзажей. Овладейте искусством художественной фотографии. Откройте для себя новые творческие направления, независимо от класса вашей камеры и даже без нее! Узнайте, как выбрать фотокамеру и максимально использовать ее возможности (с дополнительным оборудованием, и без него). Научитесь выстраивать композицию, снимать на мобильный телефон и обрабатывать снимки в специальных программах. В книге "Фотография. Практическое руководство" вы найдете 355 практических советов и подсказок, которые будут интересны как новичкам, так и профессионалам. Прочитайте эту книгу, и вам останется только нажать на спуск, чтобы получить великолепные снимки!

Фотоальбом представляет собой научную публикацию архивных фотодокументов по истории Советско-финляндской войны 1939-40 гг. В издание вошли 200 фотографии из фондов Российского государственного военного архива, в том числе ранее не публиковавшиеся. Включенные в издание фотографии иллюстрируют боевые эпизоды, фронтовой быт, знакомят с портретами героев боев на Карельском перешейке. Книга рассчитана на специалистов-историков и широкий круг читателей.

Фотоальбом Сергея Берменьева.

Иван Федорович Барщевский (1851–1948) был первым фотографом-профессионалом, серьезно занявшимся архитектурной съемкой. Увлекшись древнерусской культурой, став «археологом»-исследователем, Барщевский на протяжении нескольких десятилетий педантично и последовательно снимает памятники каменной русской архитектуры XII–XIX веков и предметы декоративно-прикладного искусства в Москве, Петербурге, Новгороде, Пскове, Владимире, Суздале, Ярославле, Вологде, Угличе, Твери... Фотографии Барщевского до сих пор востребованы реставраторами и архитекторами, а его взгляд, приемы, принципы съемки и каталогизации построек и объектов оказываются актуальны и для современных фотографических практик.

Рассматривается широкий круг вопросов, связанных с построением фотокадра, с фотокомпозицией, демонстрируются изобразительные средства фотоискусства, описаны особенности работы в различных фотожанрах. Фотография показана здесь в контексте изобразительного искусства, приведено много примеров композиционных решений произведений живописи и художественной графики. Разбираются многочисленные примеры композиционных решений конкретных фотографий в различных фотожанрах. Вопросы фотокомпозиции тесно увязаны с построением кинокадра, так как книга адресована прежде всего студентам кинооператорских факультетов вузов. Но данное пособие может быть полезно и студентам других творческих специальностей, а также широкому кругу фото- и кинолюбителей.

Мечтаете фотографировать людей, но не знаете, с чего начать? Бестселлер Amazon от Генри Кэролла научит вас делать профессиональные портреты и уличные съемки и раскроет секреты великих фотографов. Узнайте их приемы и хитрости! Никаких диаграмм и графиков, никаких сложных терминов. "Сними свой лучший портрет. Советы 50 легендарных фотографов" — это только самое главное и интересное от лучших мастеров фотографии. Убедитесь, что мастерство портретной фотографии не связано с блестящими техническими навыками, идеальными локациями и профессиональными моделями. Главный секрет прост: не делайте фотографии людей — делайте фотографии о людях.

Задача этой книги — научить фотографа, начинающего работать с моделью, подходить к этому процессу критически. Любая осмысленная и полезная критика творческой работы основана, главным образом, на разборе недостатков.

Ляля Кузнецова родилась в 1946 году в городе Уральске, закончила Казанский авиационный институт. В конце 1970?х занялась фотографией. Участница легендарной фотогруппы «ТАСМА». С середины 1980-х годов ее работы неоднократно выставлялись в Европе и США, в том числе в галерее The Corcoran Gallery of Art в Вашингтоне. Ее книги выходили в США, Германии и Великобритании. «Дорога» – первая книга Ляли Кузнецовой,изданная России. Альбом наиболее полно отражает творчество автора за последние десятилетия. В предисловия к «Дороге» Александр Лапин написал: «Чтобы понять, что такое фотографии Ляли Кузнецовой, нужно хоть раз увидеть, как она снимает. Это незабываемое зрелище. Она сгибает ноги в коленях и упирается ими в Земной Шар. Это мгновения ее торжества и величия, в эти минуты она Творец всего сущего, она Создатель того мира, который возникнет потом в глубине черно-серо-белой фотопленки».

Перед нами — невероятная экскурсия по Петербургу. Архивные фотографии соседствуют здесь с сегодняшними снимками, благодаря чему каждый может воочию увидеть, какие изменения произошли в облике Северной столицы и ее жителей за истекшее столетие. Вот германское посольство, с крыши которого еще не исчезли два огромных бронзовых тевтона, ведущих в поводу лошадей, а вот оно же с голой крышей. Вот виды набережной Новой Голландии — с высокими раскидистыми тополями и без них. А вот памятник Глинке у Мариинского театра, таинственно переместившийся сейчас за границу окоема… Блистательный Петербург запечатлен здесь с любовью и трепетным вниманием к его живому преображению, отчего холодное великолепие города на глазах становится теплее. На двух языках, с предисловием Сергея Носова, архивными фотографиями К. К. Буллы, А. Эберлинга, Я. Штейнберга и других фотографов начала XX и XXI века.