A Tale for the Time Being

Written between 1944 and 1947, Minima Moralia is a collection of rich, lucid aphorisms and essays about life in modern capitalist society. From the books of Marcel Proust to interior design, sexuality to childhood, hotels to the rise of fascism, cinema to astrology, Adorno casts his penetrating eye across society in mid-century America and finds a life deformed by capitalism, a system whose technological and cultural marvels mask the domination which reached its apex in Nazi Germany. This is Adorno's theoretical and literary masterpiece and a classic of twentieth century thought.

Orlando Figes' Crimea is a powerful history of the Crimean War, the conflict that dominated the nineteenth century. The Crimean War one of the fiercest battles in Russia's history, killing nearly a million men and completely redrawing the map of Europe. Pitting the Tsar's empire against an alliance of Britain, France and the Ottoman Empire, it was the first conflict to use photography, the telegraph and newspapers; a war over territory, from the Balkans to the Persian Gulf; a war of religion, driven by a fervent, populistbelief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land; it was the original 'total war'. Orlando Figes' vivid new book reinterprets this extraordinary conflict. Bringing to life ordinary soldiers in snow-filled trenches, surgeons on the battlefield and the haunted, fanatical figure of Tsar Nicholas himself, Crimea tells the human story of a tragic war.

Discover a story that defies belief: National Velvet meets Downton Abbey with a splash of Giuseppe Tomasi Di Lampedusa's The Leopard. * WINNER OF THE 2020 TELEGRAPH SPORTS BOOK AWARDS BIOGRAPHY OF THE YEAR * * LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR * Czechoslovakia, October 1937. Vast crowds have gathered to watch the Grand Pardubice steeplechase, Europe's most blood-curdling sporting test of manhood. With war looming, the race has a brutal political significance. The Nazis have sent the SS's all-conquering paramilitary horsemen to crush - yet again - the 'subhuman Slavs'. But Lata Brandisova, a silver-haired countess on a little golden mare, has other ideas... 'Heart-stopping reading' Clover Stroud, Daily Telegraph

Impish, daring young Tom Sawyer is a hero to his friends and a torment to his relations. For wherever there is mischief or adventure, Tom is at the heart of it. During one hot summer, Tom witnesses a murder, runs away to be a pirate, attends his own funeral, rescues an innocent man from the gallows, searches for treasure in a haunted house, foils a devilish plot and discovers a box of gold. But can he escape his nemesis, the villainous Injun Joe?

A Pulitzer-nominated author and one of the great public intellectuals of Slavic culture bring to life the unfamiliar myths and legends of the Slavic world. Slavic cultures are far-ranging, comprising of East Slavs (Russia, Ukraine, Belarus), West Slavs (Czech Republic, Slovakia, Poland) and South Slavs (the countries of former Yugoslavia plus Bulgaria), yet they are connected by tales of adventure and magic with deep roots in a common lore. In this first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapљak expertly weave together a retelling of the ancient stories with nuanced analysis that illuminates their place at the heart of Slavic tradition. Though less familiar to us than the legends of ancient Egypt, Greece and Scandinavia, in the world of Slavic mythology we find much that we can recognize: petulant deities, demons and faeries; witches, the sinister vestica, whose magic may harm or heal; a supreme god who can summon storms and hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythology’s Yggdrasill; or, after the coming of Christianity, congregate among the clouds. The vampire – usually the only Serbo-Croatian word in any foreign-language dictionary – and the werewolf emerge from the shallow graves of Slavic belief. In their careful analysis and sensitive reconstructions of the origin stories, Charney and Slapsak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by 19th-century scholars seeking origin stories for their new-born nation states. They reveal links not only to the neighbouring pantheons of Greece, Rome, Egypt and Scandinavia but also the belief systems of indigenous peoples of Australia, the Americas, Africa and Asia. In so doing, they draw out the universalities that cut across cultures in the stories we tell ourselves.