Maestra

So proclaims George Mikes' timeless exploration of this curious phenomenon. Whether it's understatement, self-deprecation or plain cruelty - the three elements he identifies as essential to our sense of humour - being witty is a way of life here. 'If you want to succeed here you must be able to handle the English sense of humour.' So proclaims George Mikes' timeless exploration of this curious phenomenon. Whether it's understatement, self-deprecation or plain cruelty - the three elements he identifies as essential to our sense of humour - being witty is a way of life here. Perfectly placed as an adopted Englishman himself, Mikes delivers his shrewd advice - helpfully divided into 'Theory' and 'Practice' - with a comic precision. Drawing on a trove of examples from our rich canon, from Orwell (who said, 'Every joke is a tiny revolution') to Oscar Wilde, this is the essential handbook for natives and foreigners alike. Mrs Kennedy: 'I don't think, Mr Churchill, that I have told you anything about my grandchildren.' Winston Churchill: 'For which, madam, I am infinitely grateful.'

George Mikes has written many successful books on a variety of interesting subjects, but one so successful as those on the subject most central to his own experience: his adopted country. The first of these came out in 1946: the ever famous "How to be an Alien." Later he enlarges the picture with "How to be inimitable" and "How to be Decadent." All three books were illustrated by the master of the cartoonists' art, the late Nicolas Bentley. Here they are, all in one volume, which will make life much easier for today's would-be Brits than it was for those who pervaded them. It is said that a few of the latter actually failed to become indistinguishable from the genuine British article because they found it too tiresome to seek out three separate books: a misfortune that need never again occur to anyone.

In The Waters of Eternal Youth, the twenty-fifth instalment in the bestselling Brunetti series, our Commissario finds himself drawn into a case that may not be a crime at all. Brunetti is investigating a cold case by request of the grand Contessa Lando-Continui, a friend of Brunetti's mother-in-law. Fifteen years ago the Contessa's teenage granddaughter, Manuela, was found drowning in a canal. She was rescued from the canal at the last moment, but in many ways it was too late; she suffered severe brain damage and her life was never the same again. Once a passionate horse rider, Manuela, now aged thirty, cannot remember the accident, or her beloved horse, and lives trapped in an eternal youth. The Contessa, unconvinced that this was an accident, implores Brunetti to find the culprit she believes was responsible for ruining Manuela's life. Out of a mixture of curiosity, pity and a willingness to fulfil the wishes of a loving grandmother, Brunetti reopens the case. But once he starts to investigate, Brunetti finds a murky past and a dark story at its heart.The Waters of Eternal Youth is awash in the rhythms and concerns of contemporary Venetian life, from historical preservation, to housing, to new waves of African migrants, all circling the haunting story of a woman trapped in a perpetual childhood.

After thirty years at St Oswald's Grammar in North Yorkshire, Latin master Roy Straitley has seen all kinds of boys come and go. Each class has its clowns, its rebels, its underdogs, its 'Brodie' boys who, whilst of course he doesn't have favourites, hold a special place in an old teacher's heart. But every so often there's a boy who doesn't fit the mould. A troublemaker. A boy with hidden shadows inside. With insolvency and academic failure looming, a new broom has arrived at the venerable school, bringing Powerpoint, sharp suits and even sixth form girls to the dusty corridors. But while Straitley does his sardonic best to resist this march to the future, a shadow from his past is stirring. A boy who even twenty years on haunts his teacher's dreams. A boy capable of bad things.

Growing up in the suburbs in post-war Japan, it seemed to Hajime that everyone but him had brothers and sisters. His sole companion was Shimamoto, also an only child. Together they spent long afternoons listening to her father's record collection. But when his family moved away, the two lost touch. Now Hajime is in his thirties. After a decade of drifting he has found happiness with his loving wife and two daughters, and success running a jazz bar. Then Shimamoto reappears. She is beautiful, intense, enveloped in mystery. Hajime is catapulted into the past, putting at risk all he has in the present.