Oblomov

One of the world's greatest novels, Crime and Punishment is the story of a murder and its consequences-an unparalleled tale of suspense set in the midst of nineteenth-century Russia's troubled transition to the modern age. In the slums of czarist St. Petersburg lives young Raskolnikov, a sensitive, intellectual student. The poverty he has always known drives him to believe that he is exempt from moral law. But when he puts this belief to the test and commits murder, there results unbearable suffering. Crime and punishment, the novel reminds us, "grow from the same seed." "No other novelist," wrote Irving Howe of Dostoyevsky, "has dramatized so powerfully the values and dangers, the uses and corruptions of systematized thought." But Sigmund Freud and others saw the Russian's work in a different light. Said Freud, "He might have been a liberator of mankind. Instead he chose to be its jailer." "He is the only psychologist I have anything to learn from."-Friedrich Nietzsche

Fleeing Russia amid the chaos of the 1917 revolution and subsequent Civil War, many writers went on to settle in Paris, Berlin and elsewhere. In exile, they worked as taxi drivers, labourers and film extras, and wrote some of the most brilliant and imaginative works of Russian literature. This new collection includes stories by the most famous emigre writers, Vladimir Nabokov and Ivan Bunin, and introduces powerful lesser known voices, some of whom have never been available in English before. Here is Yuri Felsen's evocative, impressionistic account of a night of debauchery in Paris; Teffi's witty and timely reflections on refugee experience; and Mark Aldanov's sparkling story of an elderly astrologer who unexpectedly finds himself in Hitler's bunker in Berlin. Exploring displacement, loss and new beginnings, their short stories vividly evoke the experience of life in exile and also return obsessively to the Russia that has been left behind - whether as a beautiful dream or terrifying nightmare. By turns experimental, funny, exciting, poignant and haunting, these works reveal the full range of emigre writing and are presented here in masterly translations by Bryan Karetnyk and others.

On the eve of the Crimean War, the young, headstrong Yelena, the daughter of aristocratic Russian parents, falls in love with a revolutionary from Bulgaria named Insarov. Facing the wrath and disapproval of her family, Yelena abandons her home to follow Insarov to Bulgaria. Their fateful match sets in motion a series of tragic events which challenge notions of love, revolution and idealism. A highly controversial work upon its original publication, Ivan Turgenev's On the Eve is now recognized as one of the masterpieces of Russian literature and an essential document of the upheaval that dominated Russian society in the years prior to the Crimean War. Turgenev's restrained, nuanced prose is rendered beautifully in Michael Pursglove's new translation.

Based on Dovlatov's actual experience of being a prison guard in Soviet Russia in the 1960s, and full of comic and humane detail, The Zone depicts the absurd day-to- day life of a camp in an insightful and unusual way, challenging commonly held perceptions of the relations between incarcerators and the incarcerated. A priceless chronicle of its time which highlights universal themes, Dovlatov's genre-defying novel also provides moments of high entertainment and humour, rendered in his characteristically sharp, concise and sardonic style.

We takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel - here presented in Hugh Aplin's crisp translation - is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.