Out There Screaming. An Anthology of New Black Horror

The first comprehensive publication covering the history of paper architecture, a unique phenomenon of the Soviet 1980s. Architect and curator Yuri Avvakumov explores the legendary movement of paper architects which the author himself was an avid representative of. Paper architecture—a variation of conceptualism in architecture that circulated in the form of journal publications, exhibitions, and competitions of ideas—was the product of nonconformist reflection which appropriated languages and tropes of various architectural style for the creation of multivalent project designs. Paper architecture brings together the visual means of expression typical of fine arts, architecture proper, literature, and theater. The book features texts and works by all the key participants of the movement, including Yuri Avvakumov, Mikhail Belov, Alexander Brodsky, Lev Evzovich, Totan Kuzembaev, Vyachslav Mizin, Ilya Utkin, and Mikhail Philippov.

The first comprehensive publication covering the history of paper architecture, a unique phenomenon of the Soviet 1980s. Architect and curator Yuri Avvakumov explores the legendary movement of paper architects which the author himself was an avid representative of. Paper architecture—a variation of conceptualism in architecture that circulated in the form of journal publications, exhibitions, and competitions of ideas—was the product of nonconformist reflection which appropriated languages and tropes of various architectural style for the creation of multivalent project designs. Paper architecture brings together the visual means of expression typical of fine arts, architecture proper, literature, and theater. The book features texts and works by all the key participants of the movement, including Yuri Avvakumov, Mikhail Belov, Alexander Brodsky, Lev Evzovich, Totan Kuzembaev, Vyachslav Mizin, Ilya Utkin, and Mikhail Philippov.

Richard Pratt was one of Australia's most successful, formidable and charismatic businessmen. Yet for all this he was unfailingly human, his life playing out like a drama even after the final act. Self-made billionaire, family man, generous philanthropist, patron of the arts and Carlton Football Club saviour were just a few of Pratt's many guises, and in this compelling biography the truth behind the headlines is revealed. The twists and turns of Pratt's life are chronicled with candour – from humble beginnings in Poland to the heights of global business success tainted by the humiliating price-fixing scandal that earned Visy the largest corporate fine in Australia's history. Pratt's many achievements and controversies polarised public opinion but made him one of Australia's most enigmatic public figures. Though his legacy is debatable, no-one can deny that Richard Pratt was … one out of the box.

Beginning with Tolstoy’s first extant records of his written œuvre, this anthology assembles seventy-seven unabridged texts that cover more than seven decades of his life, from 1835 to 1910. It constitutes the most complete single-volume edition to date of the rich variety of Tolstoy’s philosophical output: apothegmatic sayings, visions, intimate sketchbook and day notes, book reviews, open letters, dialogues, pedagogic talks, public lectures, programs and rules for personal behavior, fictions, and reminiscences. Most of these newly translated and thoroughly annotated texts have never been available in English. Among the four reprinted translations personally checked and authorized by Tolstoy is the text titled “Tolstoy on Venezuela,” an archival restoration of an authentic first publication in English of “Patriotism, or Peace?” (1896) that had been deemed lost. In the inaugural piece, a seven-year-old Tolstoy describes violent but natural animal life in contrast with the lazy life of a peaceful barnyard in the countryside. The last entry in the anthology written by an eighty-year-old Tolstoy for his grandchildren provides a lesson on vegetarianism and non-violence that a hungry wolf teaches a hungry boy during their conversation when both are on their way to lunch. It was the insolvable, the “scandalous,” problems of philosophy that never gave Tolstoy any rest: freedom of the will, religious tolerance, gender inequality, the tonal shape of music, the value of healthy life habits, the responsibilities of teaching, forms of social protest, cognitive development, science in society, the relation between body and mind, charity and labor, human dignity and public service, sexual psychology, national war doctrines, suicide, individual sacrifice, the purposes of making art. And always: What are the sources of violence? Why should we engage in politics? Why do we need governments? How can one practice non-violence? What is the meaning of our irrepressible desire to seek and find meaning? Why can't we live without loving? The typeset proofs of his final insights were brought to Tolstoy for approval when he was already on his deathbed. The reader will find all the texts in the exact shape and order of completion as Tolstoy left them. No matter their brevity or the occasion on which they were written, these works exemplify Tolstoy as an artistically inventive and intellectually absorbing thinker.

Beginning with Tolstoy’s first extant records of his written œuvre, this anthology assembles seventy-seven unabridged texts that cover more than seven decades of his life, from 1835 to 1910. It constitutes the most complete single-volume edition to date of the rich variety of Tolstoy’s philosophical output: apothegmatic sayings, visions, intimate sketchbook and day notes, book reviews, open letters, dialogues, pedagogic talks, public lectures, programs and rules for personal behavior, fictions, and reminiscences. Most of these newly translated and thoroughly annotated texts have never been available in English. Among the four reprinted translations personally checked and authorized by Tolstoy is the text titled “Tolstoy on Venezuela,” an archival restoration of an authentic first publication in English of “Patriotism, or Peace?” (1896) that had been deemed lost. In the inaugural piece, a seven-year-old Tolstoy describes violent but natural animal life in contrast with the lazy life of a peaceful barnyard in the countryside. The last entry in the anthology written by an eighty-year-old Tolstoy for his grandchildren provides a lesson on vegetarianism and non-violence that a hungry wolf teaches a hungry boy during their conversation when both are on their way to lunch.It was the insolvable, the “scandalous,” problems of philosophy that never gave Tolstoy any rest: freedom of the will, religious tolerance, gender inequality, the tonal shape of music, the value of healthy life habits, the responsibilities of teaching, forms of social protest, cognitive development, science in society, the relation between body and mind, charity and labor, human dignity and public service, sexual psychology, national war doctrines, suicide, individual sacrifice, the purposes of making art. And always: What are the sources of violence? Why should we engage in politics? Why do we need governments? How can one practice non-violence? What is the meaning of our irrepressible desire to seek and find meaning? Why can't we live without loving? The typeset proofs of his final insights were brought to Tolstoy for approval when he was already on his deathbed. The reader will find all the texts in the exact shape and order of completion as Tolstoy left them. No matter their brevity or the occasion on which they were written, these works exemplify Tolstoy as an artistically inventive and intellectually absorbing thinker.

В комплекте 3 Play бустера MTG издания Duskmourn House of Horror