The Order

#1 NEW YORK TIMES BESTSELLER - The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words--featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN - NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of "Uptown" to the mythical landscape of Purple Rain to the psychedelia of "Paisley Park." But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince--a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince's early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince's evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain--the final stage in Prince's self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring's riveting and moving introduction about his profound collaboration with Prince in his final months--a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated--and annotations that provide context to the book's images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince's ideas and vision, his voice and image--his undying gift to the world.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.Now Tony is in middle age. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.The Sense of an Ending is the story of one man coming to terms with the mutable past. Laced with trademark precision, dexterity and insight, it is the work of one of the world's most distinguished writers.

There are threads in our lives. You pull one, and everything else gets affected.When they were children, Sean Devine, Jimmy Marcus and Dave Boyle were friends. But then a strange car pulled up their street. One boy got in the car, two did not, and something terrible happened - something that ended their friendship and changed all three boys forever.Twenty-five years later, Sean Devine is a homicide detective. Jimmy Marcus is an ex-con who owns a corner store. And Dave Boyle is trying to hold his marriage together and keep his demons at bay -demons that urge him to do horrific things.When Jimmy Marcus' daughter is found murdered, Sean Devine is assigned to the case. His personal life unravelling, he must go back into a world he thought he'd left behind to confront not only the violence of the present but the nightmares of his past. His investigation brings him into conflict with Jimmy Marcus, who finds his old criminal impulses tempt him to solve the crime with brutal justice. And then there is Dave Boyle, who came home the night Jimmy's daughter died covered in someone else's blood... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

New York, 1899. Two strangers, one destiny. Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899. Ahmad is a djinni, a being of fire, born in the ancient Syrian desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop. Though he is no longer imprisoned, Ahmad is not entirely free - an unbreakable band of iron binds him to the physical world. The Golem & The Djinni is their magical, unforgettable story; unlikely friends whose tenuous attachment challenges their opposing natures - until the night a terrifying incident drives them back into their separate worlds. But a powerful threat will soon bring Chava and Ahmad together again, challenging their existence and forcing them to make a fateful choice.

As a young man, Juan de Vere takes a job that will haunt him for the rest of his life. Hi employer is Eduardo Muriel: a famous film director, sophisticated and discreet. Muriel's wife Beatriz is a soft, ripe woman who slips through her husband's home like an unwanted ghost, finding solace in other beds. And on the periphery of their lives stands Dr Jorge Van Vechten, a old family friend with a shadowy past. Juan enters eagerly into Muriel's world of glamour and prestige, but as time passes he is troubled by many questions that seem to have no answer. Why does Muriel hate Beatriz? How did Beatriz meet Van Vechten? And what happened in the chaotic years after the war?As Juan learns more about his employers, his own innocence begins to fall away. Though he starts off as a mere observer, he is soon unable to stand on the side lines, compelled to interfere ever more dangerously in the dark interior of other people's lives.Marias presents a study of the infinitely permeable boundaries between private and public selves, between observer and participant, between the deceptions we suffer from others and those we enact upon ourselves. .