Unseen Worlds

At least one in five pregnancies ends in miscarriage, yet pregnancy loss remains a taboo topic and effective aftercare is rarely available for those who have experienced it. Grief Unseen explains the different kinds of childbearing losses, such as failed fertility treatment, ectopic pregnancy, and stillbirth, and explores their emotional impact on women and their partners, and the process of healing. An established art therapist and mental health counselor, Laura Seftel shares her own experiences of miscarriage and recovery, and describes the use of art and ritual as a response to loss in traditional and modern cultures. She presents a rich variety of artists who have explored pregnancy loss in their work, including Frida Kahlo, Judy Chicago, and Tori Amos, and shows how people with no previous artistic experience can generate creative responses as part of the healing process. The book includes step-by-step exercises in guided imagery, poetry, visual art, journaling, and creating rituals. This accessible, positive resource will be useful to practitioners in the fields of medicine, mental health, art therapy, and counseling, as well as women and families who have suffered pregnancy loss.

An epic joyful and explosive insurrection from the poet of youth rebellion. For a brief explosive period in the mid-1970s, the young and the unemployed of Italy’s cities joined the workers in an unexpectedly militant movement known simply as Autonomy ( Autonomia ). Its “politics of refusal” united its opponents behind draconian measures more severe than any seen since the war. Nanni Balestrini, the poet of youth rebellion, himself a victim of that repression, has invented a remarkable fictional form to express the hopes and conflicts of the movement. In spare but vivid prose, The Unseen follows Autonomy’s trajectory through the eyes of a single working-class protagonist—from high-school rebellion, squatting and attempts to set up a free radio station to arrest and the brutalities of imprisonment. This is a powerful and gripping novel: a rare evocation of the intensity of commitment, the passion of politics.

Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and—although we have not yet understood this clearly—race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture.In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century—in their regional, national, and hemispheric contexts— Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.

Football has come to the ancient city of Ankh-Morpork. And now the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else. The prospect of the Big Match draws in a street urchin with a wonderful talent for kicking a tin can, a maker of jolly good pies, a dim but beautiful young woman, who might just turn out to be the greatest fashion model there has ever been, and the mysterious Mr Nutt (and no one knows anything much about Mr Nutt, not even Mr Nutt, which worries him, too). As the match approaches, four lives are entangled and changed for ever. Because the thing about football - the important thing about football - is that it is not just about football. Here we go! Here we go! Here we go!

Football has come to the ancient city of Ankh-Morpork. And now, the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else. The prospect of the Big Match draws in a street urchin with a wonderful talent for kicking a tin can, a maker of jolly good pies, a dim but beautiful young woman, who might just turn out to be the greatest fashion model there has ever been, and the mysterious Mr Nutt (and no one knows anything much about Mr Nutt, not even Mr Nutt, which worries him, too). As the match approaches, four lives are entangled and changed for ever. Because the thing about football - the important thing about football - is that it is not just about football. Here we go! Here we go! Here we go!

'We play and are played and the best we can hope for is to do it with style.' Football has come to the ancient city of Ankh-Morpork. And now the wizards of Unseen University must win a football match without using magic . . . so they're in the mood for trying everything else. To do this, they recruit an unlikely group of players: Trev, a street urchin with a talent for kicking a tin can; Glenda, the night chef who makes a mean pie; Juliet, the kitchen hand turned world's greatest fashion model; and the mysterious Mr Nutt, who has something powerful, and dark, locked away inside him . . . And the thing about football - the important thing about football - is that it is not just about football. Here we go, here we go, here we go! Unseen Academicals is the seventh book in the Wizards series, but you can read the Discworld novels in any order.

The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . . Football has come to the ancient city of Ankh-Morpork. And now, the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else. This is not going to be a gentleman’s game. The prospect of the Big Match draws in a street urchin with a wonderful talent for kicking a tin can, a maker of jolly good pies, a dim but beautiful young woman, who might just turn out to be the greatest fashion model there has ever been, and the mysterious Mr Nutt (and no one knows anything much about Mr Nutt, not even Mr Nutt) but there is something powerful, and dark, locked away inside him. As the match approaches, secrets are forced into the light and four lives will be entangled and changed for ever. Here we go, here we go, here we go! The Discworld novels can be read in any order but Unseen Academicals is the seventh book in the Wizards series.

Nobody can leave an island. An island is a cosmos in a nutshell, where the stars slumber in the grass beneath the snow. But occasionally someone tries . . . Ingrid Barroy is born on an island that bears her name - a holdfast for a single family, their livestock, their crops, their hopes and dreams. Her father dreams of building a quay that will connect them to the mainland, but closer ties to the wider world come at a price. Her mother has her own dreams - more children, a smaller island, a different life - and there is one question Ingrid must never ask her. Island life is hard, a living scratched from the dirt or trawled from the sea, so when Ingrid comes of age, she is sent to the mainland to work for one of the wealthy families on the coast. But Norway too is waking up to a wider world, a modern world that is capricious and can be cruel. Tragedy strikes, and Ingrid must fight to protect the home she thought she had left behind.

Роберт Фэйрер - эксклюзивный закулисный фотограф американского журнала Vogue более десяти лет - открывает свой архив, чтобы представить потрясающие фотографии, которые до сих пор были одним из самых тщательно хранимых секретов моды. Представляя творения Джона Гальяно для его одноименного лейбла (1996 - 2011), John Galliano: Unseen прославляет дальновидные и изысканно многослойные коллекции, которые служили демонстрацией романтических, театральных, радикальных идей дизайнера, предоставляя редкий закулисный доступ к насыщенному миру фантазии, сотрудничества и красоты.