What\'s Left of Me is Yours

A BOOK OF THE YEAR FOR THE DAILY MAIL AND WOMAN AND HOME A New York Times Editors Pick One of the Observers Ten Best Debut Novelists of 2020 Shortlisted for the Authors Club First Novel Award Longlisted for the Jhalak Prize Longlisted for the CWA John Creasy New Blood Dagger Enrapturing... This richly imagined novel considers the many permutations of love and what we are capable of doing in its name New York Times A brilliant debut Louise Doughty, author of Apple Tree Yard Youll have the heart rate of an Olympic hurdler Sunday Express I read it with my heart in my throat Sara Collins, author of The Confessions of Frannie Langton An exquisitely crafted masterpiece youll be pressing into the hands of others Woman & Home An intoxicatingly atmospheric mystery Daily Mail Dark, addictive and eye-opening, this is a brilliant debut Stylist A gripping debut set in modern-day Tokyo and inspired by a true crime, Whats Left of Me Is Yours follows a young womans search for the truth about her mothers life - and her murder. In Japan, a covert industry has grown up around the wakaresaseya (literally "breaker-upper"), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings. When Sato hires Kaitaro, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Sato has never truly understood Rina or her desires and Kaitaros job is to do exactly that - until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitaro fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter Sumikos life. Told from alternating points of view and across the breathtaking landscapes of Japan, Whats Left of Me Is Yours explores the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

A BOOK OF THE YEAR FOR THE DAILY MAIL AND WOMAN AND HOME A New York Times Editors Pick One of the Observers Ten Best Debut Novelists of 2020 Shortlisted for the Authors Club First Novel Award Longlisted for the Jhalak Prize Longlisted for the CWA John Creasy New Blood Dagger Enrapturing... This richly imagined novel considers the many permutations of love and what we are capable of doing in its name New York Times A brilliant debut Louise Doughty, author of Apple Tree Yard Youll have the heart rate of an Olympic hurdler Sunday Express I read it with my heart in my throat Sara Collins, author of The Confessions of Frannie Langton An exquisitely crafted masterpiece youll be pressing into the hands of others Woman & Home An intoxicatingly atmospheric mystery Daily Mail Dark, addictive and eye-opening, this is a brilliant debut Stylist A gripping debut set in modern-day Tokyo and inspired by a true crime, Whats Left of Me Is Yours follows a young womans search for the truth about her mothers life - and her murder. In Japan, a covert industry has grown up around the wakaresaseya (literally "breaker-upper"), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings. When Sato hires Kaitaro, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Sato has never truly understood Rina or her desires and Kaitaros job is to do exactly that - until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitaro fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter Sumikos life. Told from alternating points of view and across the breathtaking landscapes of Japan, Whats Left of Me Is Yours explores the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

In the 20th century humanity consumed products faster than ever, but this way of living is no longer sustainable. This new and important book shows how technological advances are driving forms of ‘collaborative consumption’ which will change forever the ways in which we interact both with businesses and with each other. The average lawn mower is used for four hours a year. The average power drill is used for only twenty minutes in its entire lifespan. The average car is unused for 22 hours a day, and even when it is being there are normally three empty seats. Surely there must be a way to get the benefit out of things like mowers, drills and even cars, without having to carry the huge up-front costs of ownership?There is indeed. Collaborative consumption is not just a buzzword, it is a new win-win way of life. This insightful and thought-provoking new book by Rachel Rogers and Roo Botsman is an important and fast-moving survey of the dramatic changes we are seeing in the way we consume products. Many of us are familiar with freecycle, eBay, couchsurfing and Zipcar. But these are just the beginning of a new phenomenon. Rachel Botsman and Roo Rogers have interviewed business leaders and opinion formers around the world to draw together the many strands of Collaborative Consumption into a coherent and challenging argument to show that the way we did business and consumersism in the 20th century is not the way we will do it in the 21st century.

‘A moving YA book. And an important one’ – The Telegraph on Lies We Tell OurselvesWhat if discovering who you really are means letting go of who you've been?Toni and Gretchen are the couple everyone envied in high school. They've been together forever. They never fight. They're hopelessly in love.When they separate for their first year at college they're sure their relationship will stay rock solid.The reality of being apart, however, is very different. Toni's discovering a new world – and a new gender identity – but Gretchen struggles to remember who she is outside of their relationship.While Toni worries that Gretchen won’t understand Toni's shifting identity, Gretchen begins to wonder where she fits in this puzzle. Now they must decide if their love is strong enough to last.A powerful new novel from the acclaimed author of Lies We Tell Ourselves.Praise for Robin Talley‘This is so thought-provoking it almost hurts to read it, yet every word is needed, is necessary and consequently this is a novel that lingers long after you've finished it' – Lovereading‘This is an emotional and compelling read that I did not want to put down. It is […] beautifully written and the tension just simmers on the pages.’ – Bookbabblers‘This book packs a very powerful punch’ – Historical Novel Society‘With great characterisation, tough issues covered, and a plot which had me guessing right up until the last pages, this is a must-read. Massively recommended!’ – The Bookbag‘This exceptional novel of first love and sexual awakenings is set against a backdrop of shocking racism and prejudice. It is incredibly well written as the tense, riveting story seamlessly combines fiction with historical fact.’ – Booktrust‘Every now and then a Young Adult book comes along that I want to push into every reader's hands, both young and old, and Lies We Tell Ourselves is that book for 2014’ – Jess Hearts Books‘Talley has mixed two controversial topics together to create a firecracker of a story’ – Cheryl M-M's Book Blog*A Goodreads Choice Awards semi-finalist 2014

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"All Yoga starts from the perception that what we are now or rather what we perceive as ourselves and so call is only an ignorant partial and superficial formulation of our nature. It is not our whole self, it is not even our real self; it is a little representative personality put forward by the true and persistent being in us for the experience of this brief life; we not only have been in the past and can be in the future but we are much more than that in the present secret totality of our being and nature. Especially, there is a secret soul in us that is our true person; there is a secret self that is our true impersonal being and spirit. To unveil that soul and that self is one of the most important movements of Yoga." – Sri Aurobindo

This book does to sex what other sociologists did to culture: it shows that sex, no longer defined by religion, now plays a role in the economy and can yield tangible benefits in the realms of money, status, and occupation. How do people accumulate sexual capital, and what are the returns for investing money, time, knowledge, and energy in establishing and enhancing our sexual selves? Dana Kaplan and Eva Illouz disentangle the current cultural politics of heterosexual life, arguing that sex – that messy amalgam of sexual affects and experiences – has increasingly assumed an economic character. Some may opt for plastic surgery to beautify their face or body, while others may consume popular sex advice or attend seduction classes. Beyond particular practices such as these, the authors trace an emerging form of “neoliberal” sexual capital, which is the ability to glean self-appreciation from sexual encounters and to use this self-value to foster employability, as exemplified by Silicon Valley sex parties. This highly original book will appeal to students and scholars in sociology, anthropology, gender studies, and cultural studies and to anyone interested in the nature of sex and how it is changing today.

What is to be done? This was the question asked by Lenin in 1901 when he was having doubts about the revolutionary capabilities of the Russian working class. 77 years later, Louis Althusser asked the same question. Faced with the tidal wave of May ‘68 and the recurrent hostility of the Communist Party towards the protests, he wanted to offer readers a succinct guide for the revolution to come. Lively, brilliant and engaged, this short text is wholly oriented towards one objective: to organise the working class struggle. Althusser provides a sharp critique of Antonio Gramsci’s writings and of Eurocommunism, which seduced various Marxists at the time. But this book is above all the opportunity for Althusser to state what he had not succeeded in articulating elsewhere: what concrete conditions would need to be satisfied before the revolution could take place. Left unfinished, it is published here in English for the first time.

Thirty years after the end of the Cold War, world peace is at risk again. The President of the United States has withdrawn from the disarmament treaty with Russia, Europe is disintegrating, China is surging forward and a wave of nationalism and populism is destabilizing established political institutions and endangering hard-won liberties. 

In view of this dangerous and unpredictable state of affairs, Mikhail Gorbachev, the last great statesman of the 1989 revolution, has written this short book to warn us of the grave risks we now face and to urge us all, political leaders and citizens alike, to take action to address them. He focusses on the big challenges of our time, such as the renewal of the arms race and the growing risks of nuclear war, the new tension between Russia and the West, the global environmental crisis, the rise of populism and the decline of democracy. He argues that self-serving policies and narrow-minded politics aimed at the pursuit of national interests are taking the place of political principles and overshadowing the vision of a free and just world for all peoples. He offers his view of where Russia is heading and he urges political leaders in the West to recognize that re-establishing trust between Russia and the West requires the courage of true leadership and a commitment to genuine dialogue and understanding on both sides. 

This succinct account of the immense challenges we now face by one of the world’s greatest statesmen will be of interest to everyone concerned about the current state of the world and its future.