Bring Up the Bodies

Winner of the Man Booker Prize 2009Winner of the Man Booker Prize 2012Winner of the Costa Book of the Year 2012Shortlisted for the Women’s Prize for Fiction 2013Shortlisted for the the Orange Prize 2009Shortlisted for the Costa Novel Award 2009Wolf Hall and Bring Up the Bodies, both winners of The Man Booker Prize, in 2009 and 2012 respectively, are the first two instalments in Hilary Mantel’s Tudor trilogy. They have gathered readers and praise in equal and enormous measure. They have been credited with elevating historical fiction to new heights and animating a period of history many thought too well known to be made fresh.Through the eyes and ears of Thomas Cromwell, the books’ narrative prism, we are shown Tudor England, the court of King Henry VIII. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.In Wolf Hall we witness Cromwell’s rise, beginning as clerk to Cardinal Wolsey, Henry’s chief advisor, charged with securing the divorce the pope refuses to grant. He is soon to become his successor. By 1535, when the action of Bring Up the Bodies begins, Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn, Henry’s second wife. Anne’s days, though, are marked. Cromwell watches as the king falls in love with silent, plain Jane Seymour, sensing what Henry’s affection will mean for his queen, for England, and for himself.

‘Wolf Hall’ and ‘Bring Up the Bodies’, the first two instalments in Hilary Mantel’s Tudor trilogy, have gathered readers and praise in equal and enormous measure. They have been credited with elevating historical fiction to new heights and animating a period of history many thought too well known to be made fresh.Through the eyes and ears of Thomas Cromwell, the books’ narrative prism, we are shown Tudor England, the court of King Henry VIII. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.In ‘Wolf Hall’ we witness Cromwell’s rise, beginning as clerk to Cardinal Wolsey, Henry’s chief advisor, charged with securing the divorce the pope refuses to grant. He is soon to become his successor. By 1535, when the action of ‘Bring Up the Bodies’ begins, Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn, Henry’s second wife. Anne’s days, though, are marked. Cromwell watches as the king falls in love with silent, plain Jane Seymour, sensing what Henry’s affection will mean for his queen, for England, and for himself.

A new, revised edition for the London transfer of Mike Poulton’s expertly adapted two-part adaptation of Hilary Mantel’s hugely acclaimed novels, featuring a substantial set of character notes by Hilary Mantel.Mike Poulton’s ‘expertly adapted’ (Evening Standard) two-part adaptation of Hilary Mantel’s acclaimed novels ‘Wolf Hall’ and ‘Bring Up the Bodies’ is a gripping piece of narrative theatre … history made manifest’ (Guardian). The plays were premiered to great acclaim by the Royal Shakespeare Company in Stratford-upon-Avon in 2013, before transferring to the Aldwych Theatre in London’s West End in May 2014.‘Wolf Hall’ begins in England in 1527. Henry has been King for almost twenty years and is desperate for a male heir; but Cardinal Wolsey is unable to deliver the divorce he craves. Yet for a man with the right talents this crisis could be an opportunity. Thomas Cromwell is a commoner who has risen in Wolsey’s household – and he will stop at nothing to secure the King’s desires and advance his own ambitions.In ‘Bring Up the Bodies’, the volatile Anne Boleyn is now Queen, her career seemingly entwined with that of Cromwell. But when the King begins to fall in love with self-effacing Jane Seymour, the ever-pragmatic Cromwell must negotiate within an increasingly perilous Court to satisfy Henry, defend the nation and, above all, to secure his own rise in the world.Hilary Mantel’s novels are the most formidable literary achievements of recent times, both recipients of the Man Booker Prize. This volume contains both plays and a substantial set of notes by Hilary Mantel on each of the principal characters, offering a unique insight into the adaptations and an invaluable resource to any theatre companies wishing to stage them.

This anthology of rare stories of crime and suspense brings together 16 tales by masters of the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Agatha Christie crime story that has not been seen since 1922.At a time when crime and thriller writing has once again overtaken the sales of general and literary fiction, Bodies from the Library unearths lost stories from the Golden Age, that period between the World Wars when detective fiction captured the public’s imagination and saw the emergence of some of the world’s cleverest and most popular storytellers.This anthology brings together 16 forgotten tales that have either been published only once before – perhaps in a newspaper or rare magazine – or have never before appeared in print. From a previously unpublished 1917 script featuring Ernest Bramah’s blind detective Max Carrados, to early 1950s crime stories written for London’s Evening Standard by Cyril Hare, Freeman Wills Crofts and A.A. Milne, it spans five decades of writing by masters of the Golden Age.Most anticipated of all are the contributions by women writers: the first detective story by Georgette Heyer, unseen since 1923; an unpublished story by Christianna Brand, creator of Nanny McPhee; and a dark tale by Agatha Christie published only in an Australian journal in 1922 during her ‘Grand Tour’ of the British Empire.With other stories by Detection Club stalwarts Anthony Berkeley, H.C. Bailey, J.J. Connington, John Rhode and Nicholas Blake, plus Vincent Cornier, Leo Bruce, Roy Vickers and Arthur Upfield, this essential collection harks back to a time before forensic science – when murder was a complex business.

This anthology of rare stories of crime and suspense brings together 15 tales from the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Gervase Fen novella by Edmund Crispin that has never previously been published.With the Golden Age of detective fiction shining ever more brightly thanks to the recent reappearance of many forgotten crime novels, Bodies from the Library offers a rare opportunity to read lost stories from the first half of the twentieth century by some of the genre’s most accomplished writers.This second volume is a showcase for popular figures of the Golden Age, in stories that even their most ardent fans will not be aware of. It includes uncollected and unpublished stories by acclaimed queens and kings of crime fiction, from Helen Simpson, Ethel Lina White, E.C.R. Lorac, Christianna Brand, Agatha Christie and Dorothy L. Sayers, to S.S. Van Dine, Jonathan Latimer, Clayton Rawson, Cyril Alington and Antony and Peter Shaffer (writing as Peter Antony).This book also features two highly readable radio scripts by Margery Allingham (involving Jack the Ripper) and John Rhode, plus two full-length novellas – one from a rare magazine by Q Patrick, the other an unpublished Gervase Fen mystery by Edmund Crispin, written at the height of his career. It concludes with another remarkable discovery: ‘The Locked Room’ by Dorothy L. Sayers, a never-before-published case for Lord Peter Wimsey!Selected and introduced by Tony Medawar, who also provides fascinating pen portraits of each author, Bodies in the Library 2 is an indispensable collection for any bookshelf.

This anthology of rare stories of crime and suspense brings together 18 tales from the Golden Age of Detective Fiction for the first time in book form, including uncollected stories by Ngaio Marsh and John Dickson Carr. The Golden Age of detective fiction had begun inauspiciously with the publication of E.C. Bentley’s schismatic Trent’s Last Case in 1913, but it hit its stride in 1920 when both Agatha Christie and Freeman Wills Crofts – latterly crowned queen and king of the genre – had crime novels published for the first time. They ushered in two decades of exemplary mystery writing, the era of the whodunit, the impossible crime and the locked-room mystery, with stories that have thrilled and baffled generations of readers.This new volume in the Bodies from the Library series features the work of 18 prolific authors who, like Christie and Crofts, saw their popularity soar during the Golden Age. Aside from novels, they all wrote short fiction – stories, serials and plays – and although most of them have been collected in books over the last 100 years, here are the ones that got away…In this book you will encounter classic series detectives including Colonel Gore, Roger Sheringham, Hildegarde Withers and Henri Bencolin; Hercule Poirot solves ‘The Incident of the Dog’s Ball’; Roderick Alleyn returns to New Zealand in a recently discovered television drama by Ngaio Marsh; and Dorothy L. Sayers’ chilling ‘The House of the Poplars’ is published for the first time.With a full-length novella by John Dickson Carr and an unpublished radio script by Cyril Hare, this diverse collection concludes with some early ‘flash fiction’ commissioned by Collins’ Crime Club in 1938. Each mini story had to feature an orange, resulting in six very different tales from Peter Cheyney, Ethel Lina White, David Hume, Nicholas Blake, John Rhode and – in his only foray into writing detective fiction – the publisher himself, William Collins.

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