Essays

Combining Neil Gaiman's extraordinary words with Chris Riddell's deft and striking illustrations, Art Matters will inspire its readers to seize the day in the name of art. Neil Gaiman once said that "the world always seems brighter when you've just made something that wasn't there before". This little book is the embodiment of that vision. A creative call to arms, this timely illustrated collection of ideas, thoughts, feelings and artistic manifestos will be inspirational to young and old, and will encourage glorious, creative rebellion.

George Orwell wrote extensively about English life and politics. The selection of essays and journalism in Orwell and England brings together some of his most provocative and insightful writing on England and Englishness. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Professor Michael Gardiner. Orwell’s interests were broad. He often wrote about everyday concerns such as transport, food and the weather. Turning to social issues, he exposed the plight of the poor and the unemployed. He dissected the idea of nationalism and he examined the failings of the Left. What emerges from his acute observation of English rituals, habits and attitudes is his belief that these are the very things with which the English people can defend themselves against oppression. His writing remains insightful and prescient to this day.

'This is essential' Margaret Atwood on Twitter `She's one of the most acute and perceptive analysts of the furtive growth of fascism. Everyone should know about this' Philip Pullman 'Vibrates with outrage' The Times `It couldn't happen here' Ece Temelkuran heard reasonable people in Britain say it the night of the Brexit vote. She heard reasonable people in America say it the night Trump's election was soundtracked by chants of `Build that wall.' She heard reasonable people in Turkey say it as Erdogan rigged elections, rebuilt the economy around cronyism, and labelled his opposition as terrorists. How to Lose a Country is an impassioned plea, a warning to the world that populism and nationalism don't march fully-formed into government; they creep. Award winning author and journalist Ece Temelkuran, identifies the early-warning signs of this phenomenon, sprouting up across the world from Eastern Europe to South America, in order to define a global pattern, and arm the reader with the tools to root it out. Proposing alternative, global answers to the pressing - and too often paralysing - poltical questions of our time, Temelkuran explores the insidious idea of `real people', the infantilisation of language and debate, the way laughter can prove a false friend, and the dangers of underestimating one's opponent. She weaves memoir, history and clear-sighted argument into an urgent and eloquent defence of democracy. No longer can the reasonable comfort themselves with `it couldn't happen here.' It is happening. And soon it may be too late.

John le Carre was a defining writer of his time. From The Spy Who Came in from the Cold, which changed our understanding of the secret agent from guns and Martinis to shadows and moral ambiguity, to Agent Running in the Field, in which modern Britain is mired in political corruption, he catalogued our sins and recounted the journey of the Anglosphere into the twenty-first century. In these letters, le Carre? reveals himself to be a consummate correspondent as well as a master novelist. A Private Spy spans seven decades and chronicles not only le Carre?'s own life but the turbulent times to which he was witness. Beginning with his 1940s childhood, it includes accounts of his National Service and his time at Oxford, and his days teaching the 'chinless, pointy-nosed gooseberry-eyed British lords' at Eton. It describes his entry into MI5 and the rise of the Iron Curtain, and the flowering of his career as a novelist in reaction to the building of the Berlin Wall. Through his letters we travel with him from the Second World War period to the immediate moment in which we live. At the heart of the collection is le Carre? the writer: researching, creating and editing, engaging with readers, publishers, film-makers and actors, with politicians and public figures. We find le Carre writing to Alec Guinness to persuade him to take on the role of George Smiley, and later arguing the immorality of the War on Terror with the chief of the German internal security service. In A Private Spy what emerges is a portrait not only of the writer, or of the global intellectual, but, in his own words, of the very private, very passionate and very real man behind the name.

Whether puncturing the lies of politicians, wittily dissecting the English character or telling unpalatable truths about war, Orwell's timeless, uncompromising essays are more relevant, entertaining and essential than ever in today's era of spin.