How to Make Friends with the Dark

One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: the culprit must be the man who requested the volumes, an American professor from a Kansas university.

THE PHENOMENAL INTERNATIONAL BESTSELLER | TRANSLATED BY INTERNATIONAL BOOKER SHORTLISTEE ANTON HUR 'Will strike a chord with anyone who feels that their public life is at odds with how they really feel inside.' Red PSYCHIATRIST: So how can I help you? ME: I don't know, I'm – what's the word – depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her – what to call it? – depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgemental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a desire for her favourite street food, the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her conversations with her psychiatrist over 12 weeks, Baek begins to disentangle the feedback loops, knee-jerk reactions and harmful behaviours that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness.

A FIFTH ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR Woman. Witch. Myth. Mortal. Outcast. Lover. Destroyer. Survivor. CIRCE. In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child – not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens the gods, she is banished to the island of Aiaia where she hones her occult craft, casting spells, gathering strange herbs and taming wild beasts. Yet a woman who stands alone will never be left in peace for long – and among her island's guests is an unexpected visitor: the mortal Odysseus, for whom Circe will risk everything. So Circe sets forth her tale, a vivid, mesmerizing epic of family rivalry, love and loss – the defiant, inextinguishable song of woman burning hot and bright through the darkness of a man's world. Companion to the bestselling special hardback edition of The Song of Achilles Shortlisted for the Women's Prize for Fiction

Rafael Ellie Sinclair is a hopeless romantic who writes love songs. I'm a struggling workaholic who could inspire a hundred breakup albums. On paper, we have nothing in common except for my son. For eight months, I avoid her until our summer trip. Fourteen days. Two islands. And one nanny I shouldn't be attracted to. Spending time with Ellie is expected, but enjoying her company? That isn't part of our travel plans. After my divorce, I swore to protect my heart at all costs. Even if it means breaking hers in the process. *** Ellie What's worse than working for a grumpy single dad? Admitting that I once had a secret crush on him in high school. Thankfully, Rafael Lopez and I have changed since we graduated from Wisteria High. He is a billionaire with a company to run and a child to take care of. I'm an unemployed songwriter he hired to watch his son and teach music. We coexist without any issues until a vacation changes everything. Lines blur and old feelings for Rafael return with a vengeance as I face a new dilemma. Being his son's nanny is one thing, but wishing for more? Sounds like a heartbreak song waiting to be written.

'One of the best science fiction short stories to be published in the 21st century so far' SFX Review 'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian 'A triumph of storytelling' i paper 'A joy. 'Effortlessly stylish, funny and smart' Daily Mail ____________ The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo MacArthur genius and Booker Prize-winner George Saunders returns with a collection of short stories that make sense of our increasingly troubled world, his first since the New York Times bestseller and National Book Award finalist Tenth of December The 'best short story writer in English' (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose - wickedly funny, unsentimental, and perfectly tuned - Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. 'Love Letter' is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the not-too-distant future, that reminds us of our obligations to our ideals, ourselves, and each other. 'Ghoul' is set in a Hell-themed section of an underground amusement park in Colorado, and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his 'reality.' In 'Mother's Day', two women who loved the same man come to an existential reckoning in the middle of a hailstorm. And in 'Elliott Spencer', our eighty-nine-year-old protagonist finds himself brainwashed - his memory 'scraped' - a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention as Saunders does, even in the most absurd of circumstances. ____________ 'The only way to experience Saunders's oblique, farcical, tragic world is to dive right in. It will take the top of your head off, but it's worth it' The Times 'The world's best short story writer … Liberation Day is great art' Daily Telegraph