Jerusalem

A complete examination of the men and forces that created and shaped the modern state of Israel over the last hundred years Walls of Jerusalem is a study of the creation and evolution of the modern state of Israel. This unique work begins with the actions of four extraordinary men – Theodor Herzl, Chaim Weizmann, Ze’ev Jabotinsky, and David Ben-Gurion – and follows with their influence on subsequent leaders and on the political and military decisions that have shaped and changed Jerusalem and the nation. The resulting physical realty has made concrete the shift in vison from the broad utopian ideals of the beginning, to the separation barrier and settlement enclaves that increasingly divide both Jewish and Palestinian cultures. The author traveled across the West Bank, into the Israeli settlements and along the Israeli security barrier dividing Israel from Palestine. He entered the tombs, mosques and synagogues, experienced the distortion of Jerusalem since the building of the separation barrier – the watchtowers, the welded gates, the shuttered shops, divided highways and back-ways, tunnels, bridges, checkpoints, to better understand evolving reality that defines the stage for the future relationship between Israel and Palestine. Walls of Jerusalem is a timely book, its vivid narrative journeys through a century and a half of dreams and conflicts that lead to a divided Jerusalem: It presents each stage of Israel’s evolution, from the 1896 publication of Herzl’s Der Judenstaat and the Balfour Declaration, to the opening of the United States embassy in Jerusalem in 2018 Relates the visions of Israel’s creators to the destructive and constructive forces utilized to create a new nation Reviews the century long attempts by international organizations to resolve the conflict between Jews and Palestinians Makes every effort to present a balanced exploration of challenges facing the state of Israel and its place on the world stage, but in conclusion gives emphasis to the plight of the Palestinians Integrates illustrations with text to provide a detailed portrait of central figures in modern Israel’s history

Керамогранит Ariostea Ultra Pietre Jerusalem Limestone ST UP6ST100462 100x100 см под камень, цвет бежевый. Отлично подойдет для ванной, кухни, туалета, коридора, гостиной и других частных и общественных помещений. Гармонирует с различными дизайнерскими решениями. В упаковке 2 штуки общей площадью 2,00 м2. Вес упаковки составляет 28,14 кг. Толщина плитки: 6 мм. Тип поверхности: структурированная. Ректификат: да.

Die Studie unternimmt eine religionsgeschichtlich-historische Einordnung Jesu in die Entwicklung des Judentums der Zeitenwende, die entscheidend von der L?sung des Judentums vom Tempel in Jerusalem beeinflusst ist. Da nach gemeinsamer j?discher Anschauung im Tempel der Zugang zum Himmel verwaltet wurde, stellte sich die Frage, wie man auch ohne Tempel den Zugang zum Himmel behalten und gestalten kann. Die Untersuchung unterscheidet drei au?erchristlich j?dische Traditionslinien: eine vorrabbinisch-pharis?ische, eine kult-apokalyptische und eine charismatisch-praktische. Als vierte Rezeptionslinie kommen Jesu Auftreten und die Formulierung seines Anspruches hinzu. Jesus vollbringt Heilungstaten, die herk?mmlich in den Bereich der Aufgaben des Tempelkultes fallen, und erntet daf?r den Vorwurf, er habe den Beelzebul. Hier zeigt sich, wie Deutungen als hochpriesterliche Erl?sungsgestalt die ?ltesten ?berlieferungen von Jesus pr?gen.

Does planning in contested cities inadvertedly make the divisions worse? The 60s and 70s saw a strong role of planning, social engineering, etc but there has since been a move towards a more decentralised ‘community planning’ approach. The book examines urban planning and policy in the context of deeply contested space, where place identity and cultural affinities are reshaping cities. Throughout the world, contentions around identity and territory abound, and in Britain, this problem has found recent expression in debates about multiculturalism and social cohesion. These issues are most visible in the urban arena, where socially polarised communities co-habit cities also marked by divided ethnic loyalties. The relationship between the two is complicated by the typical pattern that social disadvantage is disproportionately concentrated among ethnic groups, who also experience a social and cultural estrangement, based on religious or racial identity. Navigating between social exclusion and community cohesion is essential for the urban challenges of efficient resource use, environmental enhancement, and the development of a flourishing economy. The book addresses planning in divided cities in a UK and international context, examining cities such as Chicago, hyper-segregated around race, and Jerusalem, acting as a crucible for a wider conflict. The first section deals with concepts and theories, examining the research literature and situating the issue within the urban challenges of competitiveness and inclusion. Section 2 covers collaborative planning and identifies models of planning, policy and urban governance that can operate in contested space. Section 3 presents case studies from Belfast, Chicago and Jerusalem, examining both the historical/contemporary features of these cities and their potential trajectories. The final section offers conclusions and ways forward, drawing the lessons for creating shared space in a pluralist cities and addressing cohesion and multiculturalism. • Addresses important contemporary issue of social cohesion vs. urban competitiveness • focus on impact of government policies will appeal to practitioners in urban management, local government and regeneration • Examines role of planning in cities worldwide divided by religion, race, socio-economic, etc • Explores debate about contested space in urban policy and planning • Identifies models for understanding contested spaces in cities as a way of improving effectiveness of government policy

Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work

Трек-лист:

A1 Overture

A2 Heaven On Their Minds

A3 What's The Buzz / Strange Thing Mystifying

A4 Everything's Alright

A5 This Jesus Must Die

B1 Hosanna

B2 Simon Zealotes / Poor Jerusalem

B3 Pilate's Dream

B4 The Temple

B5 Everything's Alright

B6 I Don't Know How To Love Him

B7 Damned For All Time / Blood Money

C1 The Last Supper

C2 Gethsemane (I Only Want To Say)

C3 The Arrest

C4 Peter's Denial

C5 Pilate And Christ

C6 King Herod's Song (Try It And See)

D1 Judas' Death

D2 Trial Before Pilate (Including The 39 Lashes)

D3 Superstar

D4 Crucifixion

D5 John Nineteen: Forty One

Эндрю Ллойд Уэббер, барон Ллойд-Уэббер — английский композитор, старший сын органиста Уильяма Ллойда Уэббера и брат виолончелиста Джулиана Ллойда Уэббера. Ллойд Уэббер начал сочинять в возрасте шести лет, своё первое произведение опубликовал в девять лет.

Лорд Ллойд-Уэббер добился больших успехов на поприще музыкального театра. Некоторые его мюзиклы идут более десяти лет как в Вест-Энде, так и на Бродвее. Он создал 21 мюзикл, две темы к кинофильмам и один реквием. В 1992 году композитору был дарован титул рыцаря, а затем и титул пэра. Он обладатель множества престижных наград. Несколько из его песен, в частности "The Music of the Night" из мюзикла "Призрак Оперы", "I Don’t Know How to Love Him" из рок-оперы "Иисус Христос — суперзвезда", "Don’t Cry for Me Argentina" из "Эвиты" и "Memory" из "Кошек", стали хитами.

"Самый коммерчески успешный композитор в истории" по версии The New York Times в 2001 году и "Пятое самое влиятельное лицо в британской культуре" по версии The Daily Telegraph в 2008 году. Он один из шестнадцати человек, которые получили "Оскар", "Эмми", "Грэмми" и "Тони". На Аллее славы в Голливуде установлена звезда с его именем. Член Британской академии авторов песен, композиторов и авторов. В 1992 году основал Фонд Эндрю Ллойда Уэббера, который поддерживает искусство, культуру и культурное наследие в Великобритании.