Letters to Vera

'My dears: this is but a brief note to welcome you to the new world, where you are now no longer all too far away from us. ‘ So begins Adorno’s letter to his parents in May 1939, welcoming them to Cuba where they had just arrived after fleeing from Nazi Germany at the last minute. At the end of 1939 his parents moved again to Florida and then to New York, where they lived from August 1940 until the end of their lives. It is only with Adorno’s move to California at the end of 1941 that his letters to his parents start arriving once more, reporting on work and living conditions as well as on friends, acquaintances and the Hollywood stars of his time. One finds reports of his collaborations with Max Horkheimer, Thomas Mann and Hanns Eisler alongside accounts of parties, clowning around with Charlie Chaplin, and ill-fated love affairs. But the letters also show his constant longing for Europe: Adorno already began to think about his return as soon as the USA entered the war. Adorno’s letters to his parents – surely the most open and direct letters he ever wrote – not only afford the reader a glimpse of the experiences that gave rise to the famous Minima Moralia, but also show Adorno from a previously unknown, very personal side. They end with the first reports from the ravaged Frankfurt to his mother – who remained in New York – and from Amorbach, Adorno’s childhood paradise

Sometimes the best letters are the ones that go unansweredIt begins as an assignment for English class: write a letter to a dead person - any dead person. Laurel chooses Kurt Cobain - he died young, and so did Laurel's sister May - so maybe he'll understand a bit of what Laurel is going through.

Sometimes the best letters are the ones that go unansweredIt begins as an assignment for English class: write a letter to a dead person - any dead person. Laurel chooses Kurt Cobain - he died young, and so did Laurel's sister May - so maybe he'll understand a bit of what Laurel is going through.

Svetlana Iosifovna Alliluyeva, later known as Lana Peters, was the youngest child and only daughter of Joseph Stalin and Nadezhda Alliluyeva, his second wife. In 1967, she fled the Soviet Union for India, where she approached the U.S. Embassy for asylum. Once there, she showed her CIA handler something remarkable: A personal memoir about growing up inside the Kremlin that she’d written in 1963. The Indian Ambassador to the USSR, whom she’d befriended, had smuggled the manuscript out of the Soviet Union the previous year—and returned it to her as soon as she arrived in India.Structured as a series of letters to a “friend”—Svetlana refused to identify him, but we now know it was her close friend, Fyodor Volkenstein—this astounding memoir exposes the dark human heart of the Kremlin. After opening with Stalin’s death, Svetlana returns to her childhood. Each letter adds a new strand to her remarkable story; some are wistful—romanticized recollections of her early years and her family—while others are desperate exorcisms of the tragedies that plagued her, such as her mother’s suicide and her father’s increasing cruelty. It is also in some ways a love letter to Russia, with its ancient heritage and spectacularly varied geography.Candid, surprising, and utterly compelling, Twenty Letters to a Friend offers one of the most revealing portraits of life inside Stalin’s inner circle, and of the notorious dictator himself. . . . . . .

Svetlana Iosifovna Alliluyeva, later known as Lana Peters, was the youngest child and only daughter of Joseph Stalin and Nadezhda Alliluyeva, his second wife. In 1967, she fled the Soviet Union for India, where she approached the U.S. Embassy for asylum. Once there, she showed her CIA handler something remarkable: A personal memoir about growing up inside the Kremlin that she’d written in 1963. The Indian Ambassador to the USSR, whom she’d befriended, had smuggled the manuscript out of the Soviet Union the previous year—and returned it to her as soon as she arrived in India.Structured as a series of letters to a “friend”—Svetlana refused to identify him, but we now know it was her close friend, Fyodor Volkenstein—this astounding memoir exposes the dark human heart of the Kremlin. After opening with Stalin’s death, Svetlana returns to her childhood. Each letter adds a new strand to her remarkable story; some are wistful—romanticized recollections of her early years and her family—while others are desperate exorcisms of the tragedies that plagued her, such as her mother’s suicide and her father’s increasing cruelty. It is also in some ways a love letter to Russia, with its ancient heritage and spectacularly varied geography.Candid, surprising, and utterly compelling, Twenty Letters to a Friend offers one of the most revealing portraits of life inside Stalin’s inner circle, and of the notorious dictator himself. . . . . . .

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This collection brings together the best of C.S. Lewis’s letters – some published for the first time. Arranged in chronological order, this is the first volume covering Family Letters: 1905-1931.C.S. Lewis was a most prolific letter writer and his personal correspondence reveals much of his private life, reflections, friendships and feelings. This collection, carefully chosen and arranged by Walter Hooper, is the most extensive ever published.In this great and important collection are the letters Lewis wrote to J.R.R. Tolkien, Dorothy L. Sayers, Owen Barfield, Arthur C. Clarke, Sheldon Vanauken and Dom Bede Griffiths. To some particular friends, such as Dorothy L. Sayers, Lewis wrote over fifty letters alone. The letters deal with all of Lewis’s interests: theology, literary criticism, poetry, fantasy, children’s stories as well as revealing his relationships with family members and friends.This first volume of Family Letters: 1905-1931 covers Lewis’s boyhood and early manhood, his army years, undergraduate life at Oxford and his election to a fellowship at Magdalen College. Lewis became an atheist when he was 13 years old and his dislike of Christianity is evident in many of his letters. The volume concludes with a letter describing an evening spent with J.R.R. Tolkien and Hugo Dyson when he came to see that he was wrong to think of Christianity as one of ‘many myths.’ ‘What Dyson and Tolkien showed me was that… the story of Christ is simply a true myth… but with this tremendous difference that it really happened.’