Shantaram

A compelling gallery of women who made their way into a man's world, shown through group portraits each featuring a lone woman. An original approach to gender equality, this striking pictorial statement brings to light the compelling and undeniable phenomenon of 'the only woman': across time and cultures, groups of artists, activists, scientists, servants, movie stars, or metal workers have often included exactly and only one woman. Covering examples from nearly 20 countries, from the advent of photography until the present day, author Immy Humes reveals and reframes how women and men have related socially in surprising and poignant ways. This is a fresh contribution to visual and cultural history full of unheard stories, courage, achievement, outrage, mystery, fun, and extraordinary women. A unique focus on women and men in public life from 1860 to the present day charting the phenomenon of 'the only woman' from countries including the USA and the UK, France, Peru, Mexico, India, China, Japan, and Australia. The book features both unknown and well-known women from a diverse range of backgrounds including writers, conductors, civil-rights leaders, domestic workers, sportswomen, and lawyers as well as princesses, railway workers, boxing promoters, and astronauts.

The Hinder | Reimers Collection - which has been owned by the state of Rhineland-Palatinate since 1993 - is one of the most important collections of modern ceramics in Germany. It was built up from the early 1950s through the combined efforts of Jakob Wilhelm Hinder (1901-1976) and Lotte Reimers (* 1932). The focus of this large collection is on West German ceramics from the 1950s to about 1990. Since the mid-1970s it has been enlarged by Lotte Reimers to include outstanding works from outside Germany. These 1,587 objects provide insights into the crucial trends and stylistic movements in art ceramics after the Second World War as represented by the most distinguished ceramicists of the day. Featuring explanatory texts and colour illustrations, the present publication Modern Ceramics presents the entire collection and, therefore, goes beyond the scope of "Ceramics in Germany 1955-1990. The Hinder/Reimers Collection", published in 1997, which dealt with only a selection of works from the collection. The new publication, on the other hand, draws on the Hinder/Reimers Collection to survey the broad field of developments in studio ceramics in the latter half of the 20th century in western Germany while looking well beyond the borders of Germany. An exhaustive catalogue of works presenting 1,587 works by world-famous ceramicists in text and picture, moreover an index of all signatures used - a new standard work in the field of international studio ceramics as well as a documentation of the most important era of modern ceramics. Language:English / German

Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such as net art, software art, digital installation and virtual reality have emerged as recognized artistic practices, collected by major museums, institutions and private collectors the world over. Christiane Paul surveys the developments in digital art from its appearance in the 1980s up to the present day, and looks ahead to what that future may hold. This new edition investigates the emergence and impact of mobile and locative (site-specific) media, social networks and the next generation of virtual worlds, bringing the subject right up to date, with c.40 additional illustrations of the most groundbreaking works in these exciting new areas.

Multigenre perspectives on shame and male self-esteem post-MeToo. Since the ascent of the MeToo movement, male sexual abuse and abuse of power has come under necessary scrutiny, thereby impacting perceptions of male sexuality and the self-esteem of many men. While plenty of male abusers seem to experience no shame, some do, as do men who have not transgressed, but who may now be negotiating shame in relation to their gender and sexuality. Hybrid in genre, combining scholarly essays with short stories, personal testimonies and provocative and intimate artist's contributions, Shame! and Masculinity looks at the representation of male sexuality, fatherhood, violence, rape, fascism and virility, men and war. It shows works of art that deal with the intricacies and contradictions of these socio-cultural constructs and realities, and stimulates reflection on shame in collusion with masculinity, from male as well as female perspectives, with visual contributions by Jeanette Christensen, Marlene Dumas, Arnoud Holleman, Hans Hovy, Natasja Kensmil, Nalini Malani, Lotte Schroder, Artur Zmijjewski and Ina van Zyl.

A wry, affectionate and amusing take on English class and customs from an outsider's perspective. For years German lawyer and author Detlev Piltz has been observing England, its life, customs and above all its classes. He argues that whenever an English person meets another, they will immediately try and place the individual they are talking to in a class by their speech, deportment, clothing, address and general aura. Why might this be, and does the English class system still exist in the twenty-first century? This book argues that it is very much still alive. Piltz examines the 'hard' and 'soft' class markers that permeate English society, from where Britons go on holiday to what they wear, eat, drive and what they name their pets. He explains how the way you pronounce the word 'garage' indicates your class, and asks whether it makes sense still to talk of the English Gentleman, a species of human being so often admired in continental Europe yet parodied and satirized ad infinitum. England: A Class of Its Own is based on an incredible amount of research and riddled with amusing quotations. In the same vein as Jilly Cooper's Class, this is a book that will give pleasure and amusement to many.