The Essential Jung: Selected Writings

The Awakening and Selected Short Stories by Kate Chopin libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!

The selected correspondence of Bernard Shaw relating to the play The Millionairess contains 37 letters, written between 1934 and 1949. The book represents a significant addition to present-day understanding of the play The Millionairess. It reveals views of Shaw on a wide variety of issues and his relationships with contemporaries. The play The Millionairess was written in 1935. The first English edition was published on 24 March 1936 by Constable and Company Ltd, London (The Simpleton, The Six, And The Millionairess: Being Three More Plays). This publication is a handmade reproduction from this edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications. Here are some inspirational book quotes from Bernard Shaw: «The Millionairess is a play with a very strong part for a female star, and, if you can get the right woman, it will be a moneymaker and cover [your wife] Tina with diamonds. It is, however, a star play in respect of its dependence on a single actress with a very heavy part and a termagant personality. If they have found the right woman for Epifania, and she sticks faithfully to her part as I have written it, it will be a success; and you will make some money. Unless it is pure Shaw, it is doomed. If they alter a single word or incident in The Millionairess they shall never have another play of mine to murder. I have not written a potboiler since The Apple Cart; and I must make some money out of The Millionairess or drop the theatre. The successes in Vienna, Prague, and now in Milan and Rome are hopeful; and I ought to strike while the iron is lukewarm. I have a young and beautiful Epifania raging to play the part: Her name is Leonora Corbett. I have not had a potboiler since The Apple Cart; and as all my debentures and mortgages were paid off during the slump and my investments in crematoria have not yet fructified I am banking a little on The Millionairess to make me a millionaire. Eppy speech should be peculiar to herself; but she must not be a stage foreigner, as that lingo is always grossly incorrect. She is exotic and essentially tragic all through. In the original version I made the woman a boxer; but, on the stage, that was unconvincing and unladylike. So I have made her a Judo expert. The part requires just such a personality as Miss Hepburn.» The book also includes an editor's note to German readers.

The fifth volume of the History of Middle-earth, containing the early myths and legends which led to the writing of Tolkien’s epic tale of war, The Silmarillion.At the end of 1937, J R R Tolkien reluctantly set aside his work on the myths and heroic legends of Valinor and Middle-earth and began The Lord of the Rings.This fifth volume of The History of Middle-earth completes the examination of his writing up to that time. Later forms of The Annals of Valinor and The Annals of Beleriand had been composed, The Silmarillion was nearing completion in a greatly amplified form, and a new Map had been made. The legend of the Downfall of Numenor had entered the work, including those central ideas: the World Made Round and the Straight Path into the vanished West. Closely associated with this was the abandoned ‘time-travel’ story The Lost Road, linking the world of Numenor and Middle-earth with the legends of many other times and peoples.Also included in this volume is the The Lhammas, as essay on the complex languages and dialects of Middle-earth, and an ‘etymological dictionary’ containing an extensive account of Elvish vocabularies.

Impressed into service aboard the seal-hunting Ghost, Humphrey Van Weyden becomes an unwilling participant in a tense shipboard drama. With a wary eye, he watches the vessel’s abusive captain, Wolf Larsen, an enigma who can abandon two sailors on the open water, then return to reading the moral philosophers. One of the best sea novels ever written. .

Impressed into service aboard the seal-hunting Ghost, Humphrey Van Weyden becomes an unwilling participant in a tense shipboard drama. With a wary eye, he watches the vessel’s abusive captain, Wolf Larsen, an enigma who can abandon two sailors on the open water, then return to reading the moral philosophers. One of the best sea novels ever written. .

The best short stories from perhaps England’s finest young female comic writer.This selection of Nicola Barker’s finest short stories contains work first published in ‘Heading Inland’ and ‘Love Your Enemies’.A sixteen-year-old girl, in ‘Layla’s Nose Job’, is burdened with a grotesque nose. But plastic surgery only serves to demonstrate that her strangeness isn’t just skin-deep. The discovery turns her ingeniously violent. In ‘Inside Information’, Martha, a professional shoplifter, becomes pregnant and attempts to turn her pregnancy to criminal advantage, only to find herself harassed by her foetus, which can not only talk but proves to have grisly plans of its own. In three related pieces (‘Blisters’, ‘Braces’, and ‘Mr. Lippy’) featuring Wesley, a charming but damaged young man, attempts at normality are grimly, inevitably defeated. In ‘The Three Button Trick’, one of Barker’s most naturalistic, a middle-aged woman, who’s been abandoned by her husband, discovers, thanks to the ministrations of several odd acquaintances, how little she needs him and how wayward and liberating true eroticism is.

The selected correspondence of Bernard Shaw relating to the play Candida contains 249 letters and entries, written between 1889 and 1950. The book represents a significant addition to modern-day understanding of Shaw's play Candida and reveals his thoughts on a wide variety of issues, love affairs und relationships with contemporaries. This publication from a revised edition Plays: Pleasant and Unpleasant. By Bernard Shaw. The Second Vol-ume, containing the four Pleasant Plays published by Constable and Company Ltd., London: 1920 is a hand-made reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from Bernard Shaw: «The play, which is called Candida, is the most fascinating work in the world.» «I have written THE Mother Play—»Candida"—and I cannot repeat a masterpiece." «I shall never be able to begin a new play until I fall in love with somebody else.» «I assure you in all unhumility I am the greatest dramatist of the XX century.» «There is a Shaw boom on in Germany, because four of my plays have been produced in Vienna, Leipzig, Dresden and Frankfurt.» «But I want the Germans to know me as a philosopher, as an English (or Irish) Nietzsche only ten times cleverer.» «And remember that though we may be no bigger men than Goethe and Schiller, we are standing on their shoulders, and should therefore be able to see farther & do better. And after all, Schiller is only Shaw at the age of 8, and Goethe Shaw at the age of 32.» «I am never wrong. Other people are sometimes—often—nearly always wrong, especially when they disagree with me; but I am omniscient and infallible.» «Until within the last few months, when the success of Fraulein Agnes Sorma as Candida in Berlin was followed by an outbreak of Candidamania in New York, I had nothing to shew in the way of a successful play.» «But everybody likes Candida. Wyndham drops a tear over Candida; Alexander wants the poet made blind so that he can play him with a guarantee of 'sympathy'; Mrs Pat wants to play Candida; Ellen Terry knows she is Candida; Candida is everybody's play except the utter groundlings.» «But I dread success. To have succeeded is to have finished one's business on earth, like the male spider, who is killed by the female the moment he has succeeded in his courtship. I like a state of continual becoming, with a goal in front and not behind. I am a magnificently successful man myself, and so are my knot of friends but nobody knows it except we ourselves…» The book also includes an editor's note to German readers.

This compilation includes the most significant writings that have already been published in Sopromat, The Notes of Optimist, and Life as it is. The stories offered here are deeply philosophical and use bright imagery.

This compilation includes the most significant writings that have already been published in Sopromat, The Notes of Optimist, and Life as it is. The stories offered here are deeply philosophical and use bright imagery.

The selected correspondence of Bernard Shaw relating to the play Widowers' Houses contains 160 letters and entries written between 1885 and 1933. This publication from a revised edition Plays: Pleasant and Unpleasant. The First Volume, Contain-ing the Three Unpleasant Plays (Widowers' Houses, The Philandered, & Mrs Warren's Profession) published by Constable and Company Ltd, London 1919 is a handmade reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from Bernard Shaw: 'I do not hesitate to say that many of my critics have been completely beaten by the play simply because they are ignorant of society.' 'Now, the didactic object of my play is to produce conviction of sin, to make the Pharisee who repudiates Sartorius as either a Harpagon [a character of a comedy The Miser by the French playwright Moli?re] or a diseased dream of mine, and thanks God that such persons do not represent his class, recognize that Sartorius is his own photograph.' 'These gentlemen believe that, according to me, what is wrong with society is that the rich, who are all wicked, oppress the poor, who are all virtuous. I will not waste the space of The Star by dealing with such a misconception further than to curtly but goodhumoredly inform those who entertain it that they are fools.' 'Unfortunately I have no power of producing beauty: my genius is the genius of intellect, and my farce its derisive brutality.'