We Can Build You

In Can You Tolerate This? Ashleigh Young ushers us into her early years, coming of age in a small town in the faraway yet familiar New Zealand, yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits - a boy with a rare skeletal disease, a French postman who built a stone fortress by hand, a generation of Japanese shut-ins - strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake intense physical exercise that masks something deeper, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender and exacting in her observations of herself and the world around her.

In Can You Tolerate This? Ashleigh Young ushers us into her early years, coming of age in a small town in the faraway yet familiar New Zealand, yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits - a boy with a rare skeletal disease, a French postman who built a stone fortress by hand, a generation of Japanese shut-ins - strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake intense physical exercise that masks something deeper, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender and exacting in her observations of herself and the world around her.

Former Nighthawk operative Tallan «Irish» O'Rierdan had never intended to accept another assignment–until the woman who had long haunted his dreams returned and made him an offer he couldn't refuse. An offer that put both their lives in grave danger….Fellow agent Mary-Anne Poole was the childhood sweetheart he'd long ago been forced to leave…and now she was his wife. Because the only way these two agents could infiltrate the closely guarded estate of an international killer–and survive–was to convince their target that their scorching passion was real. But would their marriage of convenience heal the wounds of their past–and give them a chance at a future?

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The definitive history of Peter Jackson’s Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory.Lights A nine-year-old boy in New Zealand’s Pukerua Bay stays up late and is spellbound by a sixty-year-old vision of a giant ape on an island full of dinosaurs. This is true magic. And the boy knows that he wants to be a magician.Camera Fast-forward twenty years and the boy has begun to cast a spell over the film-going audience, conjuring gore-splattered romps with bravura skill that will lead to Academy recognition with an Oscar nomination for Heavenly Creatures. The boy from Pukerua Bay with monsters reflected in his eyes has arrived, and Hollywood comes calling. What would he like to do next? ‘How about a fantasy film, something like The Lord of the Rings…?’Action The greatest work of fantasy in modern literature, and the biggest, with rights ownership so complex it will baffle a wizard. Vast. Complex. Unfilmable. One does not simply walk into Mordor – unless you are Peter Jackson.Anything You Can Imagine tells the full, dramatic story of how Jackson and his trusty fellowship of Kiwi filmmakers dared take on a quest every bit as daunting as Frodo’s, and transformed JRR Tolkien’s epic tale of adventure into cinematic magic, and then did it again with The Hobbit. Enriched with brand-new interviews with Jackson, his fellow filmmakers and many of the films’ stars, Ian Nathan’s mesmerising narrative whisks us to Middle-earth, to gaze over the shoulder of the director as he creates the impossible, the unforgettable, and proves that film-making really is ‘anything you can imagine’.

Economist, actor, author, and former quiz show host Ben Stein teamed up with investment psychologist Phil DeMuth to examine a century of stock market data and discovered a profound and original investment truth: Yes, you can time the market! In their instant investment classic Yes, You Can Time the Market!, Stein and DeMuth show investors simple, readily available measurements that tell them when it's time to invest in stocks, bonds, real estate, or cash. Written for the investor who wants to preserve capital and build wealth steadily, this book offers prudent, bedrock advice for anyone who can no longer afford to play games with their money.

Can I Let You Go? is the true story of Faye, a wonderful young woman who may never be able to parent her unborn child.Faye is 24, pregnant, and has learning difficulties as a result of her mother’s alcoholism. Faye is gentle, childlike and vulnerable, and normally lives with her grandparents, both of whom have mobility problems. Cathy and her children welcome Faye into their home and hearts. The care plan is for Faye to stay with Cathy until after the birth when she will return home and the baby will go for adoption. Given that Faye never goes out alone it is something of a mystery how she ever became pregnant and Faye says it’s a secret.To begin with Faye won’t acknowledge she is pregnant or talk about the changes in her body as she worries it will upset her grandparents, but after her social worker assures her she can talk to Cathy she opens up. However, this leads to Faye realizing just how much she will lose and she changes her mind and says she wants to keep her baby.Is it possible Faye could learn enough to parent her child? Cathy believes it is, and Faye’s social worker is obliged to give Faye the chance.

As the Year of Faith draws to a close, radical Catholic theologian and visionary Hans K?ng presents the Church with an urgent and controversial call to arms. Can the Church Still be Saved promises what Catholics have long been yearning for: modern responses to a modern world.Fifty years ago, the world’s bishops gathered for the Second Vatican Council in the hope they could, in the words of Pope John XXIII, ‘open the windows of the Church and let some fresh air in.’ It was a gathering of real optimism; Hans K?ng and our current Pope were both there.In Can the Church Still be Saved?, Kung relates how after fifty years and two Popes, the Church has only turned back the clock, becoming ever more conservative. Refusing to open dialogue on celibacy for male priests; the role of women in the priesthood; homosexuality and gay marriage; or the use of contraception even to prevent AIDS in Africa, the Papacy is losing touch. Now, amid widespread disillusion over child abuse, the future of Catholicism is in crisis.K?ng calls for a complete renewal of the Church, setting out a radical and inspiring programme of action. As grassroots support grows – both in the UK and internationally – Can the Church Still be Saved makes a compelling case for structural reform and for a proper dialogue on the modern world.